The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
There are some subjects upon which I take pleasure in being
minute. The person of the stranger—let me call him by this title,
who to all the world was still a stranger—the person of the
stranger is one of these subjects. In height he might have been
below rather than above the medium size: although there were
moments of intense passion when his frame actually _expanded_ and
belied the assertion. The light, almost slender symmetry of his
figure, promised more of that ready activity which he evinced at
the Bridge of Sighs, than of that Herculean strength which he has
been known to wield without an effort, upon occasions of more
dangerous emergency. With the mouth and chin of a deity—singular,
wild, full, liquid eyes, whose shadows varied from pure hazel to
intense and brilliant jet—and a profusion of curling, black hair,
from which a forehead of unusual breadth gleamed forth at
intervals all light and ivory—his were features than which I have
seen none more classically regular, except, perhaps, the marble
ones of the Emperor Commodus. Yet his countenance was,
nevertheless, one of those which all men have seen at some period
of their lives, and have never afterwards seen again. It had no
peculiar, it had no settled predominant expression to be fastened
upon the memory; a countenance seen and instantly forgotten, but
forgotten with a vague and never-ceasing desire of recalling it
to mind. Not that the spirit of each rapid passion failed, at any
time, to throw its own distinct image upon the mirror of that
face—but that the mirror, mirror-like, retained no vestige of the
passion, when the passion had departed.
Upon leaving him on the night of our adventure, he solicited me,
in what I thought an urgent manner, to call upon him _very_ early
the next morning. Shortly after sunrise, I found myself
accordingly at his Palazzo, one of those huge structures of
gloomy, yet fantastic pomp, which tower above the waters of the
Grand Canal in the vicinity of the Rialto. I was shown up a broad
winding staircase of mosaics, into an apartment whose
unparalleled splendor burst through the opening door with an
actual glare, making me blind and dizzy with luxuriousness.
I knew my acquaintance to be wealthy. Report had spoken of his
possessions in terms which I had even ventured to call terms of
ridiculous exaggeration. But as I gazed about me, I could not
bring myself to believe that the wealth of any subject in Europe
could have supplied the princely magnificence which burned and
blazed around.
Public-domain text, read in full here on John Shaqi.
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