The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
The usual approach to Arnheim was by the river. The visitor left
the city in the early morning. During the forenoon he passed
between shores of a tranquil and domestic beauty, on which grazed
innumerable sheep, their white fleeces spotting the vivid green
of rolling meadows. By degrees the idea of cultivation subsided
into that of merely pastoral care. This slowly became merged in a
sense of retirement—this again in a consciousness of solitude. As
the evening approached, the channel grew more narrow; the banks
more and more precipitous; and these latter were clothed in rich,
more profuse, and more sombre foliage. The water increased in
transparency. The stream took a thousand turns, so that at no
moment could its gleaming surface be seen for a greater distance
than a furlong. At every instant the vessel seemed imprisoned
within an enchanted circle, having insuperable and impenetrable
walls of foliage, a roof of ultramarine satin, and no floor—the
keel balancing itself with admirable nicety on that of a phantom
bark which, by some accident having been turned upside down,
floated in constant company with the substantial one, for the
purpose of sustaining it. The channel now became a gorge—although
the term is somewhat inapplicable, and I employ it merely because
the language has no word which better represents the most
striking—not the most distinctive—feature of the scene. The
character of gorge was maintained only in the height and
parallelism of the shores; it was lost altogether in their other
traits. The walls of the ravine (through which the clear water
still tranquilly flowed) arose to an elevation of a hundred and
occasionally of a hundred and fifty feet, and inclined so much
toward each other as, in a great measure, to shut out the light
of day; while the long plume-like moss which depended densely
from the intertwining shrubberies overhead, gave the whole chasm
an air of funereal gloom. The windings became more frequent and
intricate, and seemed often as if returning in upon themselves,
so that the voyager had long lost all idea of direction. He was,
moreover, enwrapt in an exquisite sense of the strange. The
thought of nature still remained, but her character seemed to
have undergone modification, there was a weird symmetry, a
thrilling uniformity, a wizard propriety in these her works. Not
a dead branch—not a withered leaf—not a stray pebble—not a patch
of the brown earth was anywhere visible. The crystal water welled
up against the clean granite, or the unblemished moss, with a
sharpness of outline that delighted while it bewildered the eye.
Public-domain text, read in full here on John Shaqi.
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