The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
As no bell was discernible, I rapped with my stick against the
door, which stood half open. Instantly a figure advanced to the
threshold—that of a young woman about twenty-eight years of
age—slender, or rather slight, and somewhat above the medium
height. As she approached, with a certain modest decision of step
altogether indescribable. I said to myself, “Surely here I have
found the perfection of natural, in contradistinction from
artificial grace.” The second impression which she made on me,
but by far the more vivid of the two, was that of enthusiasm. So
intense an expression of romance, perhaps I should call it, or of
unworldliness, as that which gleamed from her deep-set eyes, had
never so sunk into my heart of hearts before. I know not how it
is, but this peculiar expression of the eye, wreathing itself
occasionally into the lips, is the most powerful, if not
absolutely the sole spell, which rivets my interest in woman.
“Romance,” provided my readers fully comprehended what I would
here imply by the word—“romance” and “womanliness” seem to me
convertible terms: and, after all, what man truly loves in woman,
is simply her womanhood. The eyes of Annie (I heard some one from
the interior call her “Annie, darling!”) were “spiritual grey;”
her hair, a light chestnut: this is all I had time to observe of
her.
At her most courteous of invitations, I entered—passing first
into a tolerably wide vestibule. Having come mainly to observe, I
took notice that to my right as I stepped in, was a window, such
as those in front of the house; to the left, a door leading into
the principal room; while, opposite me, an open door enabled me
to see a small apartment, just the size of the vestibule,
arranged as a study, and having a large bow window looking out to
the north.
Passing into the parlor, I found myself with Mr. Landor—for this,
I afterwards found, was his name. He was civil, even cordial in
his manner, but just then, I was more intent on observing the
arrangements of the dwelling which had so much interested me,
than the personal appearance of the tenant.
The north wing, I now saw, was a bed-chamber, its door opened
into the parlor. West of this door was a single window, looking
toward the brook. At the west end of the parlor, were a
fireplace, and a door leading into the west wing—probably a
kitchen.
Public-domain text, read in full here on John Shaqi.
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