The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
As before, some minutes elapsed ere a reply was made; and during
the interval the dying man seemed to be collecting his energies
to speak. At my fourth repetition of the question, he said very
faintly, almost inaudibly:
“Yes; still asleep—dying.”
It was now the opinion, or rather the wish, of the physicians,
that M. Valdemar should be suffered to remain undisturbed in his
present apparently tranquil condition, until death should
supervene—and this, it was generally agreed, must now take place
within a few minutes. I concluded, however, to speak to him once
more, and merely repeated my previous question.
While I spoke, there came a marked change over the countenance of
the sleep-waker. The eyes rolled themselves slowly open, the
pupils disappearing upwardly; the skin generally assumed a
cadaverous hue, resembling not so much parchment as white paper;
and the circular hectic spots which, hitherto, had been strongly
defined in the centre of each cheek, went out at once. I use this
expression, because the suddenness of their departure put me in
mind of nothing so much as the extinguishment of a candle by a
puff of the breath. The upper lip, at the same time, writhed
itself away from the teeth, which it had previously covered
completely; while the lower jaw fell with an audible jerk,
leaving the mouth widely extended, and disclosing in full view
the swollen and blackened tongue. I presume that no member of the
party then present had been unaccustomed to death-bed horrors;
but so hideous beyond conception was the appearance of M.
Valdemar at this moment, that there was a general shrinking back
from the region of the bed.
I now feel that I have reached a point of this narrative at which
every reader will be startled into positive disbelief. It is my
business, however, simply to proceed.
Public-domain text, read in full here on John Shaqi.
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