The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
“And now, the champion, having escaped from the terrible fury of
the dragon, bethinking himself of the brazen shield, and of the
breaking up of the enchantment which was upon it, removed the
carcass from out of the way before him, and approached valorously
over the silver pavement of the castle to where the shield was
upon the wall; which in sooth tarried not for his full coming,
but fell down at his feet upon the silver floor, with a mighty
great and terrible ringing sound.”
No sooner had these syllables passed my lips, than—as if a shield
of brass had indeed, at the moment, fallen heavily upon a floor
of silver—I became aware of a distinct, hollow, metallic, and
clangorous, yet apparently muffled reverberation. Completely
unnerved, I leaped to my feet; but the measured rocking movement
of Usher was undisturbed. I rushed to the chair in which he sat.
His eyes were bent fixedly before him, and throughout his whole
countenance there reigned a stony rigidity. But, as I placed my
hand upon his shoulder, there came a strong shudder over his
whole person; a sickly smile quivered about his lips; and I saw
that he spoke in a low, hurried, and gibbering murmur, as if
unconscious of my presence. Bending closely over him, I at length
drank in the hideous import of his words.
“Not hear it?—yes, I hear it, and _have_ heard it.
Long—long—long—many minutes, many hours, many days, have I heard
it—yet I dared not—oh, pity me, miserable wretch that I am!—I
dared not—I _dared_ not speak! _We have put her living in the
tomb!_ Said I not that my senses were acute? I _now_ tell you
that I heard her first feeble movements in the hollow coffin. I
heard them—many, many days ago—yet I dared not—_I dared not
speak!_ And now—to-night—Ethelred—ha! ha!—the breaking of the
hermit’s door, and the death-cry of the dragon, and the clangor
of the shield!—say, rather, the rending of her coffin, and the
grating of the iron hinges of her prison, and her struggles
within the coppered archway of the vault! Oh whither shall I fly?
Will she not be here anon? Is she not hurrying to upbraid me for
my haste? Have I not heard her footstep on the stair? Do I not
distinguish that heavy and horrible beating of her heart?
Madman!”—here he sprang furiously to his feet, and shrieked out
his syllables, as if in the effort he were giving up his
soul—“_Madman! I tell you that she now stands without the door!_”
Public-domain text, read in full here on John Shaqi.
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