The Works of Edgar Allan Poe — Volume 3Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 3
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American
“O God!” half shrieked Ligeia, leaping to her feet and extending
her arms aloft with a spasmodic movement, as I made an end of
these lines—“O God! O Divine Father!—shall these things be
undeviatingly so?—shall this Conqueror be not once conquered? Are
we not part and parcel in Thee? Who—who knoweth the mysteries of
the will with its vigor? Man doth not yield him to the angels,
nor unto death utterly, save only through the weakness of his
feeble will.”
And now, as if exhausted with emotion, she suffered her white
arms to fall, and returned solemnly to her bed of death. And as
she breathed her last sighs, there came mingled with them a low
murmur from her lips. I bent to them my ear and distinguished,
again, the concluding words of the passage in Glanvill—“Man doth
not yield him to the angels, nor unto death utterly, save only
through the weakness of his feeble will.”
She died: and I, crushed into the very dust with sorrow, could no
longer endure the lonely desolation of my dwelling in the dim and
decaying city by the Rhine. I had no lack of what the world calls
wealth. Ligeia had brought me far more, very far more than
ordinarily falls to the lot of mortals. After a few months,
therefore, of weary and aimless wandering, I purchased, and put
in some repair, an abbey, which I shall not name, in one of the
wildest and least frequented portions of fair England. The gloomy
and dreary grandeur of the building, the almost savage aspect of
the domain, the many melancholy and time-honored memories
connected with both, had much in unison with the feelings of
utter abandonment which had driven me into that remote and
unsocial region of the country. Yet although the external abbey,
with its verdant decay hanging about it, suffered but little
alteration, I gave way, with a child-like perversity, and
perchance with a faint hope of alleviating my sorrows, to a
display of more than regal magnificence within. For such follies,
even in childhood, I had imbibed a taste and now they came back
to me as if in the dotage of grief. Alas, I feel how much even of
incipient madness might have been discovered in the gorgeous and
fantastic draperies, in the solemn carvings of Egypt, in the wild
cornices and furniture, in the Bedlam patterns of the carpets of
tufted gold! I had become a bounden slave in the trammels of
opium, and my labors and my orders had taken a coloring from my
dreams. But these absurdities I must not pause to detail. Let me
speak only of that one chamber, ever accursed, whither in a
moment of mental alienation, I led from the altar as my bride—as
the successor of the unforgotten Ligeia—the fair-haired and
blue-eyed Lady Rowena Trevanion, of Tremaine.
Public-domain text, read in full here on John Shaqi.
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