The Works of Edgar Allan Poe — Volume 3Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 3
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American
But, ere long the heaven of this pure affection became darkened,
and gloom, and horror, and grief swept over it in clouds. I said
the child grew strangely in stature and intelligence. Strange,
indeed, was her rapid increase in bodily size—but terrible, oh!
terrible were the tumultuous thoughts which crowded upon me while
watching the development of her mental being. Could it be
otherwise, when I daily discovered in the conceptions of the
child the adult powers and faculties of the woman?—when the
lessons of experience fell from the lips of infancy? and when the
wisdom or the passions of maturity I found hourly gleaming from
its full and speculative eye? When, I say, all this became
evident to my appalled senses—when I could no longer hide it from
my soul, nor throw it off from those perceptions which trembled
to receive it—is it to be wondered at that suspicions, of a
nature fearful and exciting, crept in upon my spirit, or that my
thoughts fell back aghast upon the wild tales and thrilling
theories of the entombed Morella? I snatched from the scrutiny of
the world a being whom destiny compelled me to adore, and in the
rigorous seclusion of my home, watched with an agonizing anxiety
over all which concerned the beloved.
And as years rolled away, and I gazed day after day upon her
holy, and mild, and eloquent face, and poured over her maturing
form, day after day did I discover new points of resemblance in
the child to her mother, the melancholy and the dead. And hourly
grew darker these shadows of similitude, and more full, and more
definite, and more perplexing, and more hideously terrible in
their aspect. For that her smile was like her mother’s I could
bear; but then I shuddered at its too perfect _identity_—that her
eyes were like Morella’s I could endure; but then they, too,
often looked down into the depths of my soul with Morella’s own
intense and bewildering meaning. And in the contour of the high
forehead, and in the ringlets of the silken hair, and in the wan
fingers which buried themselves therein, and in the sad musical
tones of her speech, and above all—oh! above all—in the phrases
and expressions of the dead on the lips of the loved and the
living, I found food for consuming thought and horror—for a worm
that _would_ not die.
Public-domain text, read in full here on John Shaqi.
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