The Works of Edgar Allan Poe — Volume 3Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 3
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American
“Keep it!” she said, with one of her most ravishing smiles. “Keep
it for my sake—for the sake of her whom it too flatteringly
represents. Besides, upon the back of the trinket you may
discover, perhaps, the very information you seem to desire. It is
now, to be sure, growing rather dark—but you can examine it at
your leisure in the morning. In the meantime, you shall be my
escort home to-night. My friends are about holding a little
musical _levée_. I can promise you, too, some good singing. We
French are not nearly so punctilious as you Americans, and I
shall have no difficulty in smuggling you in, in the character of
an old acquaintance.”
With this, she took my arm, and I attended her home. The mansion
was quite a fine one, and, I believe, furnished in good taste. Of
this latter point, however, I am scarcely qualified to judge; for
it was just dark as we arrived; and in American mansions of the
better sort lights seldom, during the heat of summer, make their
appearance at this, the most pleasant period of the day. In about
an hour after my arrival, to be sure, a single shaded solar lamp
was lit in the principal drawing-room; and this apartment, I
could thus see, was arranged with unusual good taste and even
splendor; but two other rooms of the suite, and in which the
company chiefly assembled, remained, during the whole evening, in
a very agreeable shadow. This is a well-conceived custom, giving
the party at least a choice of light or shade, and one which our
friends over the water could not do better than immediately
adopt.
The evening thus spent was unquestionably the most delicious of
my life. Madame Lalande had not overrated the musical abilities
of her friends; and the singing I here heard I had never heard
excelled in any private circle out of Vienna. The instrumental
performers were many and of superior talents. The vocalists were
chiefly ladies, and no individual sang less than well. At length,
upon a peremptory call for “Madame Lalande,” she arose at once,
without affectation or demur, from the chaise longue upon which
she had sat by my side, and, accompanied by one or two gentlemen
and her female friend of the opera, repaired to the piano in the
main drawing-room. I would have escorted her myself, but felt
that, under the circumstances of my introduction to the house, I
had better remain unobserved where I was. I was thus deprived of
the pleasure of seeing, although not of hearing, her sing.
Public-domain text, read in full here on John Shaqi.
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