The Works of Edgar Allan Poe — Volume 3Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 3
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American
“Yes,” she replied, leaning fully back in her chair, and
stretching out her lower limbs at great length; “yes, Moissart,
and Voissart, and Croissart, and Froissart. But Monsieur
Froissart, he vas von _ver_ big vat you call fool—he vas von ver
great big donce like yourself—for he lef _la belle France_ for
come to dis stupide Amérique—and ven he get here he went and ave
von _ver_ stupid, von _ver, ver_ stupide sonn, so I hear, dough I
not yet av ad de plaisir to meet vid him—neither me nor my
companion, de Madame Stéphanie Lalande. He is name de Napoleon
Bonaparte Froissart, and I suppose you say dat _dat_, too, is not
von ver respectable name.”
Either the length or the nature of this speech, had the effect of
working up Mrs. Simpson into a very extraordinary passion indeed;
and as she made an end of it, with great labor, she jumped up
from her chair like somebody bewitched, dropping upon the floor
an entire universe of bustle as she jumped. Once upon her feet,
she gnashed her gums, brandished her arms, rolled up her sleeves,
shook her fist in my face, and concluded the performance by
tearing the cap from her head, and with it an immense wig of the
most valuable and beautiful black hair, the whole of which she
dashed upon the ground with a yell, and there trammpled and
danced a fandango upon it, in an absolute ecstasy and agony of
rage.
Meantime I sank aghast into the chair which she had vacated.
“Moissart and Voissart!” I repeated, thoughtfully, as she cut one
of her pigeon-wings, and “Croissart and Froissart!” as she
completed another—“Moissart and Voissart and Croissart and
Napoleon Bonaparte Froissart!—why, you ineffable old serpent,
that’s me—that’s me—d’ye hear? that’s me”—here I screamed at the
top of my voice—“that’s me-e-e! I am Napoleon Bonaparte
Froissart! and if I havn’t married my great, great, grandmother,
I wish I may be everlastingly confounded!”
Madame Eugénie Lalande, _quasi_ Simpson—formerly Moissart—was, in
sober fact, my great, great, grandmother. In her youth she had
been beautiful, and even at eighty-two, retained the majestic
height, the sculptural contour of head, the fine eyes and the
Grecian nose of her girlhood. By the aid of these, of
pearl-powder, of rouge, of false hair, false teeth, and false
tournure, as well as of the most skilful modistes of Paris, she
contrived to hold a respectable footing among the beauties _en
peu passées_ of the French metropolis. In this respect, indeed,
she might have been regarded as little less than the equal of the
celebrated Ninon De L’Enclos.
Public-domain text, read in full here on John Shaqi.
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