The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
As soon as I sufficiently recovered my senses to comprehend the
terrific predicament in which I stood or rather hung, I exerted
all the power of my lungs to make that predicament known to the
æronaut overhead. But for a long time I exerted myself in vain.
Either the fool could not, or the villain would not perceive me.
Meantime the machine rapidly soared, while my strength even more
rapidly failed. I was soon upon the point of resigning myself to
my fate, and dropping quietly into the sea, when my spirits were
suddenly revived by hearing a hollow voice from above, which
seemed to be lazily humming an opera air. Looking up, I perceived
the Angel of the Odd. He was leaning with his arms folded, over
the rim of the car; and with a pipe in his mouth, at which he
puffed leisurely, seemed to be upon excellent terms with himself
and the universe. I was too much exhausted to speak, so I merely
regarded him with an imploring air.
For several minutes, although he looked me full in the face, he
said nothing. At length removing carefully his meerschaum from
the right to the left corner of his mouth, he condescended to
speak.
“Who pe you,” he asked, “und what der teuffel you pe do dare?”
To this piece of impudence, cruelty and affectation, I could
reply only by ejaculating the monosyllable “Help!”
“Elp!” echoed the ruffian—“not I. Dare iz te pottle—elp yourself,
und pe tam’d!”
With these words he let fall a heavy bottle of Kirschenwasser
which, dropping precisely upon the crown of my head, caused me to
imagine that my brains were entirely knocked out. Impressed with
this idea, I was about to relinquish my hold and give up the
ghost with a good grace, when I was arrested by the cry of the
Angel, who bade me hold on.
“Old on!” he said; “don’t pe in te urry—don’t. Will you pe take
de odder pottle, or ave you pe got zober yet and come to your
zenzes?”
I made haste, hereupon, to nod my head twice—once in the
negative, meaning thereby that I would prefer not taking the
other bottle at present—and once in the affirmative, intending
thus to imply that I _was_ sober and _had_ positively come to my
senses. By these means I somewhat softened the Angel.
“Und you pelief, ten,” he inquired, “at te last? You pelief, ten,
in te possibilty of te odd?”
I again nodded my head in assent.
“Und you ave pelief in _me_, te Angel of te Odd?”
I nodded again.
“Und you acknowledge tat you pe te blind dronk and te vool?”
I nodded once more.
“Put your right hand into your left hand preeches pocket, ten, in
token ov your vull zubmizzion unto te Angel ov te Odd.”
Public-domain text, read in full here on John Shaqi.
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