The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
The most notorious ill-fortune must in the end yield to the
untiring courage of philosophy—as the most stubborn city to the
ceaseless vigilance of an enemy. Shalmanezer, as we have it in
holy writings, lay three years before Samaria; yet it fell.
Sardanapalus—see Diodorus—maintained himself seven in Nineveh;
but to no purpose. Troy expired at the close of the second
lustrum; and Azoth, as Aristaeus declares upon his honour as a
gentleman, opened at last her gates to Psammetichus, after having
barred them for the fifth part of a century....
“Thou wretch!—thou vixen!—thou shrew!” said I to my wife on the
morning after our wedding; “thou witch!—thou hag!—thou
whippersnapper—thou sink of iniquity!—thou fiery-faced
quintessence of all that is abominable!—thou—thou—” here standing
upon tiptoe, seizing her by the throat, and placing my mouth
close to her ear, I was preparing to launch forth a new and more
decided epithet of opprobrium, which should not fail, if
ejaculated, to convince her of her insignificance, when to my
extreme horror and astonishment I discovered that I had lost my
breath.
The phrases “I am out of breath,” “I have lost my breath,” etc.,
are often enough repeated in common conversation; but it had
never occurred to me that the terrible accident of which I speak
could _bona fide_ and actually happen! Imagine—that is if you
have a fanciful turn—imagine, I say, my wonder—my
consternation—my despair!
There is a good genius, however, which has never entirely
deserted me. In my most ungovernable moods I still retain a sense
of propriety, _et le chemin des passions me conduit_—as Lord
Edouard in the “Julie” says it did him—_à la philosophie
véritable_.
Although I could not at first precisely ascertain to what degree
the occurrence had affected me, I determined at all events to
conceal the matter from my wife, until further experience should
discover to me the extent of this my unheard of calamity.
Altering my countenance, therefore, in a moment, from its
bepuffed and distorted appearance, to an expression of arch and
coquettish benignity, I gave my lady a pat on the one cheek, and
a kiss on the other, and without saying one syllable (Furies! I
could not), left her astonished at my drollery, as I pirouetted
out of the room in a _pas de zephyr_.
Behold me then safely ensconced in my private boudoir, a fearful
instance of the ill consequences attending upon
irascibility—alive, with the qualifications of the dead—dead,
with the propensities of the living—an anomaly on the face of the
earth—being very calm, yet breathless.
Public-domain text, read in full here on John Shaqi.
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