The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
The Automaton Chess-Player was invented in 1769, by Baron
Kempelen, a nobleman of Presburg, in Hungary, who afterwards
disposed of it, together with the secret of its operations, to
its present possessor. {2*} Soon after its completion it was
exhibited in Presburg, Paris, Vienna, and other continental
cities. In 1783 and 1784, it was taken to London by Mr. Maelzel.
Of late years it has visited the principal towns in the United
States. Wherever seen, the most intense curiosity was excited by
its appearance, and numerous have been the attempts, by men of
all classes, to fathom the mystery of its evolutions. The cut on
this page gives a tolerable representation of the figure as seen
by the citizens of Richmond a few weeks ago. The right arm,
however, should lie more at length upon the box, a chess-board
should appear upon it, and the cushion should not be seen while
the pipe is held. Some immaterial alterations have been made in
the costume of the player since it came into the possession of
Maelzel—the plume, for example, was not originally worn. {image
of automaton}
At the hour appointed for exhibition, a curtain is withdrawn, or
folding doors are thrown open, and the machine rolled to within
about twelve feet of the nearest of the spectators, between whom
and it (the machine) a rope is stretched. A figure is seen
habited as a Turk, and seated, with its legs crossed, at a large
box apparently of maple wood, which serves it as a table. The
exhibiter will, if requested, roll the machine to any portion of
the room, suffer it to remain altogether on any designated spot,
or even shift its location repeatedly during the progress of a
game. The bottom of the box is elevated considerably above the
floor by means of the castors or brazen rollers on which it
moves, a clear view of the surface immediately beneath the
Automaton being thus afforded to the spectators. The chair on
which the figure sits is affixed permanently to the box. On the
top of this latter is a chess-board, also permanently affixed.
The right arm of the Chess-Player is extended at full length
before him, at right angles with his body, and lying, in an
apparently careless position, by the side of the board. The back
of the hand is upwards. The board itself is eighteen inches
square. The left arm of the figure is bent at the elbow, and in
the left hand is a pipe. A green drapery conceals the back of the
Turk, and falls partially over the front of both shoulders. To
judge from the external appearance of the box, it is divided into
five compartments—three cupboards of equal dimensions, and two
drawers occupying that portion of the chest lying beneath the
cupboards. The foregoing observations apply to the appearance of
Public-domain text, read in full here on John Shaqi.
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