The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
however, to the whole verbose description of the _manner _in
which the partitions are shifted, to accommodate the movements of
the person concealed. We object to it as a mere theory assumed in
the first place, and to which circumstances are afterwards made
to adapt themselves. It was not, and could not have been, arrived
at by any inductive reasoning. In whatever way the shifting is
managed, it is of course concealed at every step from
observation. To show that certain movements might possibly be
effected in a certain way, is very far from showing that they are
actually so effected. There may be an infinity of other methods
by which the same results may be obtained. The probability of the
one assumed proving the correct one is then as unity to infinity.
But, in reality, this particular point, the shifting of the
partitions, is of no consequence whatever. It was altogether
unnecessary to devote seven or eight pages for the purpose of
proving what no one in his senses would deny—viz: that the
wonderful mechanical genius of Baron Kempelen could invent the
necessary means for shutting a door or slipping aside a pannel,
with a human agent too at his service in actual contact with the
pannel or the door, and the whole operations carried on, as the
author of the Essay himself shows, and as we shall attempt to
show more fully hereafter, entirely out of reach of the
observation of the spectators.
In attempting ourselves an explanation of the Automaton, we will,
in the first place, endeavor to show how its operations are
effected, and afterwards describe, as briefly as possible, the
nature of the _observations _from which we have deduced our
result.
It will be necessary for a proper understanding of the subject,
that we repeat here in a few words, the routine adopted by the
exhibiter in disclosing the interior of the box—a routine from
which he _never _deviates in any material particular. In the
first place he opens the door No. I. Leaving this open, he goes
round to the rear of the box, and opens a door precisely at the
back of door No. I. To this back door he holds a lighted candle.
He then _closes the back door, _locks it, and, coming round to
the front, opens the drawer to its full extent. This done, he
opens the doors No. 2 and No. 3, (the folding doors) and displays
the interior of the main compartment. Leaving open the main
compartment, the drawer, and the front door of cupboard No. I, he
now goes to the rear again, and throws open the back door of the
main compartment. In shutting up the box no particular order is
observed, except that the folding doors are always closed before
the drawer.
Public-domain text, read in full here on John Shaqi.
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