The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
_Monos._ Say, rather, a point in the vague infinity.
Unquestionably, it was in the Earth’s dotage that I died. Wearied
at heart with anxieties which had their origin in the general
turmoil and decay, I succumbed to the fierce fever. After some
few days of pain, and many of dreamy delirium replete with
ecstasy, the manifestations of which you mistook for pain, while
I longed but was impotent to undeceive you—after some days there
came upon me, as you have said, a breathless and motionless
torpor; and this was termed Death by those who stood around me.
Words are vague things. My condition did not deprive me of
sentience. It appeared to me not greatly dissimilar to the
extreme quiescence of him, who, having slumbered long and
profoundly, lying motionless and fully prostrate in a midsummer
noon, begins to steal slowly back into consciousness, through the
mere sufficiency of his sleep, and without being awakened by
external disturbances.
I breathed no longer. The pulses were still. The heart had ceased
to beat. Volition had not departed, but was powerless. The senses
were unusually active, although eccentrically so—assuming often
each other’s functions at random. The taste and the smell were
inextricably confounded, and became one sentiment, abnormal and
intense. The rose-water with which your tenderness had moistened
my lips to the last, affected me with sweet fancies of
flowers—fantastic flowers, far more lovely than any of the old
Earth, but whose prototypes we have here blooming around us. The
eyelids, transparent and bloodless, offered no complete
impediment to vision. As volition was in abeyance, the balls
could not roll in their sockets but all objects within the range
of the visual hemisphere were seen with more or less
distinctness; the rays which fell upon the external retina, or
into the corner of the eye, producing a more vivid effect than
those which struck the front or interior surface. Yet, in the
former instance, this effect was so far anomalous that I
appreciated it only as sound—sound sweet or discordant as the
matters presenting themselves at my side were light or dark in
shade—curved or angular in outline. The hearing, at the same
time, although excited in degree, was not irregular in
action—estimating real sounds with an extravagance of precision,
not less than of sensibility. Touch had undergone a modification
more peculiar. Its impressions were tardily received, but
pertinaciously retained, and resulted always in the highest
physical pleasure. Thus the pressure of your sweet fingers upon
my eyelids, at first only recognised through vision, at length,
long after their removal, filled my whole being with a sensual
delight immeasurable.
Public-domain text, read in full here on John Shaqi.
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