The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
The result of my experiment with the old books, convinced me, in
the first place, that “honesty is the best policy,” and, in the
second, that if I could not write better than Mr. Dante, and the
two blind men, and the rest of the old set, it would, at least,
be a difficult matter to write worse. I took heart, therefore,
and determined to prosecute the “entirely original,” (as they say
on the covers of the magazines,) at whatever cost of study and
pains. I again placed before my eyes, as a model, the brilliant
stanzas on “The Oil-of-Bob” by the editor of the “Gad-Fly,” and
resolved to construct an ode on the same sublime theme, in
rivalry of what had already been done.
With my first verse I had no material difficulty. It ran thus:
“To pen an Ode upon the ‘Oil-of-Bob.’”
Having carefully looked out, however, all the legitimate rhymes
to “Bob,” I found it impossible to proceed. In this dilemma I had
recourse to paternal aid; and, after some hours of mature
thought, my father and myself thus constructed the poem:
_“To pen an Ode upon the ‘Oil-of-Bob’
Is all sorts of a job._
“(Signed) Snob.”
To be sure, this composition was of no very great length—but I
“have yet to learn” as they say in the Edinburgh Review, that the
mere extent of a literary work has any thing to do with its
merit. As for the Quarterly cant about “sustained effort,” it is
impossible to see the sense of it. Upon the whole, therefore, I
was satisfied with the success of my maiden attempt, and now the
only question regarded the disposal I should make of it. My
father suggested that I should send it to the “Gad-Fly”—but there
were two reasons which operated to prevent me from so doing. I
dreaded the jealousy of the editor—and I had ascertained that he
did not pay for original contributions. I therefore, after due
deliberation, consigned the article to the more dignified pages
of the “Lollipop,” and awaited the event in anxiety, but with
resignation.
In the very next published number I had the proud satisfaction of
seeing my poem printed at length, as the leading article, with
the following significant words, prefixed in italics and between
brackets:
_We call the attention of our readers to the subjoined admirable
stanza on “The Oil of Bob.” We need say nothing of their
sublimity, or their pathos:—it is impossible to peruse them
without tears. Those who have been nauseated with a sad dose on
the same august topic from the goose quill of the editor of the
“Gad Fly” will do well to compare the two compositions._
P. S.—We are consumed with anxiety to probe the mystery which
envelops the evident pseudonym “Snob.” May we hope for a personal
interview?
Public-domain text, read in full here on John Shaqi.
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