The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
What the “Daddy” chose to say of the Fly, however, was no
business of mine. What it said of myself _was_. After the noble
manner in which the “Owl,” the “Toad,” the “Mole,” had expressed
themselves in respect to my ability, it was rather too much to be
coolly spoken of by a thing like the “Daddy-Long-Legs,” as merely
“a gentleman of high genius and a scholar.” Gentleman indeed! I
made up my mind at once, either to get a written apology from the
“Daddy-Long-Legs,” or to call it out.
Full of this purpose, I looked about me to find a friend whom I
could entrust with a message to his Daddyship, and as the editor
of the “Lollipop” had given me marked tokens of regard, I at
length concluded to seek assistance upon the present occasion.
I have never yet been able to account, in a manner satisfactory
to my own understanding, for the _very_ peculiar countenance and
demeanor with which Mr. Crab listened to me, as I unfolded to him
my design. He again went through the scene of the bell-rope and
cudgel, and did not omit the duck. At one period I thought he
really intended to quack. His fit, nevertheless, finally subsided
as before, and he began to act and speak in a rational way. He
declined bearing the cartel, however, and in fact, dissuaded me
from sending it at all; but was candid enough to admit that the
“Daddy-Long-Legs” had been disgracefully in the wrong—more
especially in what related to the epithets “gentleman and
scholar.”
Towards the end of this interview with Mr. Crab, who really
appeared to take a paternal interest in my welfare, he suggested
to me that I might turn an honest penny, and, at the same time,
advance my reputation, by occasionally playing Thomas Hawk for
the “Lollipop.”
I begged Mr. Crab to inform me who was Mr. Thomas Hawk, and how
it was expected that I should play him.
Here Mr. Crab again “made great eyes,” (as we say in Germany,)
but at length, recovering himself from a profound attack of
astonishment, he assured me that he employed the words “Thomas
Hawk” to avoid the colloquialism, Tommy, which was low—but that
the true idea was Tommy Hawk—or tomahawk—and that by “playing
tomahawk” he referred to scalping, brow-beating and otherwise
using-up the herd of poor-devil authors.
Public-domain text, read in full here on John Shaqi.
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