The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
It was the misfortune of Mr. Pinckney to have been born too far south. Had
he been a New Englander, it is probable that he would have been ranked as
the first of American lyrists by that magnanimous cabal which has so long
controlled the destinies of American Letters, in conducting the thing
called “The North American Review.” The poem just cited is especially
beautiful; but the poetic elevation which it induces we must refer chiefly
to our sympathy in the poet’s enthusiasm. We pardon his hyperboles for the
evident earnestness with which they are uttered.
It was by no means my design, however, to expatiate upon the _merits
_of what I should read you. These will necessarily speak for
themselves. Boccalini, in his “Advertisements from Parnassus,” tells us
that Zoilus once presented Apollo a very caustic criticism upon a very
admirable book:—whereupon the god asked him for the beauties of the
work. He replied that he only busied himself about the errors. On hearing
this, Apollo, handing him a sack of unwinnowed wheat, bade him pick out _all
the chaff _for his reward.
Now this fable answers very well as a hit at the critics—but I am by
no means sure that the god was in the right. I am by no means certain that
the true limits of the critical duty are not grossly misunderstood.
Excellence, in a poem especially, may be considered in the light of an
axiom, which need only be properly _put, _to become self-evident. It
is _not _excellence if it require to be demonstrated as such:—and
thus to point out too particularly the merits of a work of Art, is to
admit that they are _not _merits altogether.
Among the “Melodies” of Thomas Moore is one whose distinguished character
as a poem proper seems to have been singularly left out of view. I allude
to his lines beginning—“Come, rest in this bosom.” The intense
energy of their expression is not surpassed by anything in Byron. There
are two of the lines in which a sentiment is conveyed that embodies the _all
in all _of the divine passion of Love—a sentiment which, perhaps,
has found its echo in more, and in more passionate, human hearts than any
other single sentiment ever embodied in words:—
Public-domain text, read in full here on John Shaqi.
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