The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
It was one of a pair brought, several years previously, by Captain Arthur
Sabretash, a cousin of Ponnonner’s from a tomb near Eleithias, in
the Lybian mountains, a considerable distance above Thebes on the Nile.
The grottoes at this point, although less magnificent than the Theban
sepulchres, are of higher interest, on account of affording more numerous
illustrations of the private life of the Egyptians. The chamber from
which our specimen was taken, was said to be very rich in such
illustrations—the walls being completely covered with fresco
paintings and bas-reliefs, while statues, vases, and Mosaic work of rich
patterns, indicated the vast wealth of the deceased.
The treasure had been deposited in the Museum precisely in the same
condition in which Captain Sabretash had found it—that is to say,
the coffin had not been disturbed. For eight years it had thus stood,
subject only externally to public inspection. We had now, therefore, the
complete Mummy at our disposal; and to those who are aware how very rarely
the unransacked antique reaches our shores, it will be evident, at once
that we had great reason to congratulate ourselves upon our good fortune.
Approaching the table, I saw on it a large box, or case, nearly seven feet
long, and perhaps three feet wide, by two feet and a half deep. It was
oblong—not coffin-shaped. The material was at first supposed to be
the wood of the sycamore (_platanus_), but, upon cutting into it, we
found it to be pasteboard, or, more properly, _papier mache_,
composed of papyrus. It was thickly ornamented with paintings,
representing funeral scenes, and other mournful subjects—interspersed
among which, in every variety of position, were certain series of
hieroglyphical characters, intended, no doubt, for the name of the
departed. By good luck, Mr. Gliddon formed one of our party; and he had no
difficulty in translating the letters, which were simply phonetic, and
represented the word _Allamistakeo_.
We had some difficulty in getting this case open without injury; but
having at length accomplished the task, we came to a second,
coffin-shaped, and very considerably less in size than the exterior one,
but resembling it precisely in every other respect. The interval between
the two was filled with resin, which had, in some degree, defaced the
colors of the interior box.
Upon opening this latter (which we did quite easily), we arrived at a
third case, also coffin-shaped, and varying from the second one in no
particular, except in that of its material, which was cedar, and still
emitted the peculiar and highly aromatic odor of that wood. Between the
second and the third case there was no interval—the one fitting
accurately within the other.
Public-domain text, read in full here on John Shaqi.
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