The Works of Guy de Maupassant, Vol. 1: Boule de Suif and Other StoriesMaupassant, Guy de
General
The Works of Guy de Maupassant, Vol. 1: Boule de Suif and Other Stories
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
He was a man of about five-and-twenty, who seemed to have some negro
blood in his veins, although he belonged to the purest Hindoo race. He
had large, almost motionless, rather vague eyes, fat lips, a curly
beard, low forehead, and dazzling sharp white teeth, which he frequently
showed with a mechanical smile. He got up and gave me his hand in the
English fashion, and then made me sit down beside him on a bench which
was so high that my feet hardly touched the ground, and I was very
uncomfortable on it.
He immediately proposed a tiger hunt for the next day; war and hunting
were his chief occupations, and he could hardly understand how one could
care for anything else. He was evidently fully persuaded that I had only
come all that distance to amuse him a little, and to be the companion of
his pleasures.
As I stood greatly in need of his assistance, I tried to flatter his
tastes, and he was so pleased with me that he immediately wished to show
me how his trained boxers fought, and he led the way into a kind of
arena situated within the palace.
At his command two naked men appeared, their hands covered with steel
claws. They immediately began to attack each other, trying to strike one
another with this sharp weapon, which left long cuts, from which the
blood flowed freely down their dark skin.
It lasted for a long time, till their bodies were a mass of wounds, and
the combatants were tearing each other's flesh with this sort of rake
made of pointed blades. One of them had his jaw smashed, while the ear
of the other was split into three pieces.
The prince looked on with ferocious pleasure, uttered grunts of delight,
and imitated all their movements with careless gestures, crying out
constantly:
"Strike, strike hard!"
One fell down unconscious, and had to be carried out of the arena,
covered with blood, while the rajah uttered a sigh of regret because it
was over so soon.
He turned to me to know my opinion; I was disgusted, but I congratulated
him loudly. He then gave orders that I was to be conducted to
Couch-Mahal (the palace of pleasure), where I was to be lodged.
This bijou palace was situated at the extremity of the royal park, and
one of its walls was built into the sacred lake of Vihara. It was
square, with three rows of galleries with colonnades of most beautiful
workmanship. At each angle there were light, lofty or low towers,
standing either singly or in pairs: no two were alike, and they looked
like flowers growing out of that graceful plant of Oriental
architecture. All were surmounted by fantastic roofs, like coquettish
ladies' caps.
In the middle of the edifice a large dome raised its round cupola like a
large white woman's breast, beside a beautiful clock-tower.
The whole building was covered with sculpture from top to bottom, with
those exquisite arabesques which delight the eye, of motionless
processions of delicate figures whose attitudes and gestures in stone
told the story of Indian manners and customs.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account