The Works of Guy de Maupassant, Volume 3Maupassant, Guy de
General
The Works of Guy de Maupassant, Volume 3
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
But to come to my story, I shall not tell you about the beginning of my
stay in Africa. After going to Bona, Constantine, Biskara and Setif, I
went to Bougie through the defiles of Chabet, by an excellent road
through a large forest, which follows the sea at a height of six hundred
feet above it, as far as that wonderful bay of Bougie, which is as
beautiful as that of Naples, of Ajaccio, or of Douarnenez, which are the
most lovely that I know.
Far away in the distance, before one goes round the large inlet where
the water is perfectly calm, one sees the Bougie. It is built on the
steep sides of a high hill, which is covered with trees, and forms a
white spot on that green slope; it might almost be taken for the foam of
a cascade, falling into the sea.
I had no sooner set foot in that delightful, small town, than I knew
that I should stay for a long time. In all directions the eye rests on
rugged, strangely shaped hill-tops, which are so close together that one
can hardly see the open sea, so that the gulf looks like a lake. The
blue water is wonderfully transparent, and the azure sky, a deep azure,
as if it had received two coats of paint, expands its wonderful beauty
above it. They seem to be looking at themselves in a glass, and to be a
reflection of each other.
Bougie is a town of ruins, and on the quay, when one arrives, one sees
such a magnificent ruin, that one might imagine one was at the opera. It
is the old Saracen Gate, overgrown with ivy, and there are ruins in all
directions on the hills round the town, fragments of Roman walls, bits
of Saracen monuments, the remains of Arabic buildings.
I had taken a small, Moorish house, in the upper town. You know those
dwellings, which have been described so often. They have no windows on
the outside; but they are lighted from top to bottom, by an inner court.
On the first floor, they have a large, cool room, in which one spends
the days, and a terrace on the roof, on which one spends the nights.
I at once fell in with the custom of all hot countries, that is to say,
of having a siesta after lunch. That is the hottest time in Africa, the
time when one can scarcely breathe; when the streets, the fields, and
the long, dazzling, white roads are deserted, when everyone is asleep,
or at any rate, trying to sleep, attired as scantily as possible.
Public-domain text, read in full here on John Shaqi.
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