The Works of Guy de Maupassant, Volume 4Maupassant, Guy de
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The Works of Guy de Maupassant, Volume 4
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
I began by making an excursion into Italy. The sunshine did me much good.
During six months I wandered about from Genoa to Venice, from Venice to
Florence, from Florence to Rome, from Rome to Naples. Then I traveled
over Sicily, a country celebrated for its scenery and its monuments,
relics left by the Greeks and the Normans. I passed over into Africa,
I traversed at my ease that immense desert, yellow and tranquil, in which
the camels, the gazelles, and the Arab vagabonds, roam about, where, in
the rare and transparent atmosphere, there hovers no vague hauntings,
where there is never any night, but always day.
I returned to France by Marseilles, and in spite of all the Provencal
gaiety, the diminished clearness of the sky made me sad. I experienced,
in returning to the continent, the peculiar sensation, of an illness
which I believed had been cured, and a dull pain which predicted that
the seeds of the disease had not been eradicated.
I then returned to Paris. At the end of a month, I was very dejected. It
was in the autumn, and I wished to make, before the approach of winter,
an excursion through Normandy, a country with which I was unacquainted.
I began my journey, in the best of spirits, at Rouen, and for eight days
I wandered about passive, ravished and enthusiastic, in that ancient
city, in that astonishing museum of extraordinary Gothic monuments.
But, one afternoon, about four o'clock, as I was sauntering slowly
through a seemingly unattractive street, by which there ran a stream as
black as the ink called "Eau de Robec," my attention, fixed for the
moment on the quaint, antique appearance of some of the houses, was
suddenly turned away by the view of a series of second-hand furniture
shops, which succeeded one another, door after door.
Ah! they had carefully chosen their locality, these sordid traffickers
in antiquaries, in that quaint little street, overlooking that sinister
stream of water, under those tile and slate-pointed roofs in which still
grinned the vanes of byegone days.
At the end of these grim storehouses you saw piled up sculptured chests,
Rouen, Sevre, and Moustier's pottery, painted statues, others of oak,
Christs, Virgins, Saints, church ornaments, chasubles, capes, even sacred
vases, and an old gilded wooden tabernacle, where a god had hidden
himself away. Oh! What singular caverns are in those lofty houses,
crowded with objects of every description, where the existence of things
seems to be ended, things which have survived their original possessors,
their century, their times, their fashions, in order to be bought as
curiosities by new generations.
My affection for bibelots was awakened in that city of antiquaries. I
went from shop to shop crossing, in two strides, the four plank rotten
bridges thrown over the nauseous current of the Eau de Robec.
Public-domain text, read in full here on John Shaqi.
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