The Works of Guy de Maupassant, Volume 4Maupassant, Guy de
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The Works of Guy de Maupassant, Volume 4
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
The night was black, full of stars, overpowered by a burning air, by
oppressive breaths of wind, burdened with heat and emanations, with
living germs, which, mixed with the breeze, destroyed its freshness. It
imparted to the face a heated caress, made one breathe more quickly, gasp
a little, so thick and heavy did it seem. The boats started on their way
bearing venetian lanterns at the prow. It was not possible to distinguish
the craft, but only these little colored lights, swift and dancing up and
down like glow-worms in a fit; and voices sounded from all sides in the
shade. The young people's skiff glided gently along. Now and then, when a
fast boat passed near them, they could, for a moment, see the white back
of the rower, lit up by his lantern.
When they turned the elbow of the river, La Grenonillere appeared to them
in the distance. The establishment, en fete, was decorated with sconces,
with colored garlands draped with clusters of lights. On the Seine some
great barges moved about slowly, representing domes, pyramids and
elaborate erections in fires of all colors. Illuminated festoons hung
right down to the water, and sometimes a red or blue lantern, at the end
of an immense invisible fishing-rod, seemed like a great swinging star.
All this illumination spread a light around the cafe, lit up the great
trees on the bank, from top to bottom, the trunks of which stood out in
pale gray and the leaves in a milky green upon the deep black of the
fields and the heavens. The orchestra, composed of five suburban artists,
flung far its public-house ball-music, poor and jerky, which caused
Madeleine to sing anew.
She desired to enter at once. Paul desired first to take a turn on the
island, but he was obliged to give way. The attendance was more select.
The boatmen, always alone, remained with some thinly scattered citizens,
and some young men flanked by girls. The director and organizer of this
can-can majestic, in a jaded black suit, walked about in every direction,
his head laid waste by his old trade of purveyor of public amusements,
at a cheap rate.
The large Pauline and her companions were not there; and Paul breathed
again.
They danced; couples opposite each other, capered in the most distracted
manner, throwing their legs in the air, until they were upon a level with
the noses of their partners.
The women, whose thighs were disjointed, skipped amid such a flying
upwards of their petticoats that the lower portions of their frames were
displayed. They kicked their feet up above their heads with astounding
facility, balanced their bodies, wagged their backs and shook their
sides, shedding around them a powerful scent of sweating womanhood.
The men were squatted like toads, some making obscene signs; some turned
and twisted themselves, grimacing and hideous; some turned like a wheel
on their hands, or, perhaps, trying to make themselves funny, sketched
the manners of the day with exaggerated gracefulness.
Public-domain text, read in full here on John Shaqi.
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