The Works of Guy de Maupassant, Volume VIII.Maupassant, Guy de
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The Works of Guy de Maupassant, Volume VIII.
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
"'Can it be that he is not dead?'
"'Why not, when the body is putrefying?'
"'What are we to do?'
"My companion said in a hesitating tone:
"'We must go and look.'
"I took our wax candle and I entered first, searching with my eye
through all the large apartment with its dark corners. There was not
the least movement now, and I approached the bed. But I stood
transfixed with stupor and fright: Schopenhauer was no longer
laughing! He was grinning in a horrible fashion, with his lips pressed
together and deep hollows in his cheeks. I stammered out:
"'He is not dead!'
"But the terrible odor rose up to my nose and stifled me. And I no
longer moved, but kept staring fixedly at him, scared as if in the
presence of the apparition.
"Then my companion, having seized the other wax candle, bent forward.
Then, he touched my arm without uttering a word. I followed his
glance, and I saw on the ground, under the armchair by the side of the
bed, all white on the dark carpet, open as if to bite, Schopenhauer's
set of artificial teeth.
"The work of decomposition, loosening the jaws, had made it jump out
of his mouth.
"I was really frightened that day, monsieur."
And as the sun was sinking towards the glittering sea, the consumptive
German rose from his seat, gave me a parting bow, and retired into the
hotel.
AFTER
"My darlings," said the Comtesse, "you must go to bed."
The three children, two girls and a boy, rose up, and went to kiss
their grandmother.
Then, they came to say "Good night" to M. le Cure, who had dined at
the chateau, as he did every Thursday.
The Abbe Mauduit put two of the young ones sitting on his knees,
passing his long arms clad in black behind the children's necks; and,
drawing their heads towards him with a paternal movement, he kissed
each of them on the forehead with a long, tender kiss.
Then, he again set them down on the ground, and the little beings went
off, the boy in front, and the girls behind.
"You are fond of children, M. le Cure," said the Comtesse.
"Very fond, Madame."
The old woman raised her bright eyes towards the priest.
"And--has your solitude never weighed too heavily on you?"
"Yes, sometimes."
He became silent, hesitated, and then added: "But I was never made for
ordinary life."
"What do you know about it?"
"Oh! I know very well. I was made to be a priest: I followed my own
path."
The Comtesse kept staring at him:
"Look here, M. le Cure, tell me this--tell me how it was you resolved
to renounce for ever what makes us love life--the rest of us--all that
consoles and sustains us? What is it that drove you, impelled you, to
separate yourself from the great natural path of marriage and the
family. You are neither an enthusiast nor a fanatic, neither a gloomy
person nor a sad person. Was it some strange occurrence, some sorrow,
that led you to take life-long vows?"
Public-domain text, read in full here on John Shaqi.
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