The Works of Henry Fielding, vol. 12Fielding, Henry
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The Works of Henry Fielding, vol. 12
Fielding, Henry
English literature -- 18th century
Under this head I shall caution my well-bred reader against a common
fault, much of the same nature; which is, mentioning any particular
quality as absolutely essential to either man or woman, and exploding
all those who want it. This renders every one uneasy who is in the
least self-conscious of the defect. I have heard a boor of fashion
declare in the presence of women remarkably plain, that beauty was the
chief perfection of that sex, and an essential without which no woman
was worth regarding; a certain method of putting all those in the
room, who are but suspicious of their defect that way, out of
countenance.
I shall mention one fault more, which is, not paying a proper regard
to the present temper of the company, or the occasion of their
meeting, in introducing a topic of conversation, by which as great an
absurdity is sometimes committed, as it would be to sing a dirge at a
wedding, or an epithalamium at a funeral.
Thus I have, I think, enumerated most of the principal errors which we
are apt to fall into in conversation; and though, perhaps, some
particulars worthy of remark may have escaped me, yet an attention to
what I have here said may enable the reader to discover them. At least
I am persuaded that, if the rules I have now laid down were strictly
observed, our conversation would be more perfect, and the pleasure
resulting from it purer and more unsullied, than at present it is.
But I must not dismiss this subject without some animadversions on a
particular species of pleasantry, which, though I am far from being
desirous of banishing from conversation, requires, most certainly,
some reins to govern, and some rule to direct it. The reader may
perhaps guess I mean raillery; to which I may apply the fable of the
lap-dog and the ass; for, while in some hands it diverts and delights
us with its dexterity and gentleness, in others, it paws, daubs,
offends, and hurts.
The end of conversation being the happiness of mankind, and the chief
means to procure their delight and pleasure, it follows, I think, that
nothing can conduce to this end which tends to make a man uneasy and
dissatisfied with himself, or which exposes him to the scorn and
contempt of others. I here except that kind of raillery, therefore,
which is concerned in tossing men out of their chairs, tumbling them
into water, or any of those handicraft jokes which are exercised on
those notable persons commonly known by the name of buffoons; who are
contented to feed their belly at the price of their br--ch, and to
carry off the wine and the p--ss of a great man together. This I pass
by, as well as all remarks on the genius of the great men themselves,
who are (to fetch a phrase from school, a phrase not improperly
mentioned on this occasion) great dabs at this kind of facetiousness.
But, leaving all such persons to expose human nature among themselves,
I shall recommend to my well-bred man, who aims at raillery, the
excellent character given of Horace by Persius:--
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