The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other StoriesBalzac, Honoré de
General
The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories
Balzac, Honoré de
French fiction -- Translations into English
After walking all round the arcades, the young man looked by turns at the
sky and at his watch, and with a shrug of impatience went into a
tobacconist's shop, lighted a cigar, and placed himself in front of a
looking-glass to glance at his costume, which was rather more ornate than
the rules of French taste allow. He pulled down his collar and his black
velvet waistcoat, over which hung many festoons of the thick gold chain
that is made at Venice; then, having arranged the folds of his cloak by a
single jerk of his left shoulder, draping it gracefully so as to show the
velvet lining, he started again on parade, indifferent to the glances of
the vulgar.
As soon as the shops were lighted up and the dusk seemed to him black
enough, he went out into the square in front of the Palais-Royal, but as a
man anxious not to be recognized; for he kept close under the houses as far
as the fountain, screened by the hackney-cab stand, till he reached the Rue
Froid-Manteau, a dirty, poky, disreputable street--a sort of sewer
tolerated by the police close to the purified purlieus of the Palais-Royal,
as an Italian major-domo allows a careless servant to leave the sweepings
of the rooms in a corner of the staircase.
[Illustration: Placed himself in front of a looking-glass]
The young man hesitated. He might have been a bedizened citizen's wife
craning her neck over a gutter swollen by the rain. But the hour was not
unpropitious for the indulgence of some discreditable whim. Earlier, he
might have been detected; later, he might find himself cut out. Tempted by
a glance which is encouraging without being inviting, to have followed a
young and pretty woman for an hour, or perhaps for a day, thinking of her
as a divinity and excusing her light conduct by a thousand reasons to her
advantage; to have allowed oneself to believe in a sudden and irresistible
affinity; to have pictured, under the promptings of transient excitement, a
love-adventure in an age when romances are written precisely because they
never happen; to have dreamed of balconies, guitars, stratagems, and bolts,
enwrapped in Almaviva's cloak; and, after inditing a poem in fancy, to stop
at the door of a house of ill-fame, and, crowning all, to discern in
Rosina's bashfulness a reticence imposed by the police--is not all this, I
say, an experience familiar to many a man who would not own it?
The most natural feelings are those we are least willing to confess, and
among them is fatuity. When the lesson is carried no further, the Parisian
profits by it, or forgets it, and no great harm is done. But this would
hardly be the case with this foreigner, who was beginning to think he might
pay too dearly for his Paris education.
Public-domain text, read in full here on John Shaqi.
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