The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other StoriesBalzac, Honoré de
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The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories
Balzac, Honoré de
French fiction -- Translations into English
"Here he is!" said Giardini, in an undertone, clutching the Count's arm and
nodding to a tall man. "How pale and grave he is, poor man! His hobby has
not trotted to his mind to-day, I fancy."
Andrea's prepossession for Marianna was crossed by the captivating charm
which Gambara could not fail to exert over every genuine artist. The
composer was now forty; but although his high brow was bald and lined with
a few parallel, but not deep, wrinkles; in spite, too, of hollow temples
where the blue veins showed through the smooth, transparent skin, and of
the deep sockets in which his black eyes were sunk, with their large lids
and light lashes, the lower part of his face made him still look young, so
calm was its outline, so soft the modeling. It could be seen at a glance
that in this man passion had been curbed to the advantage of the intellect;
that the brain alone had grown old in some great struggle.
Andrea shot a swift look at Marianna, who was watching him. And he noted
the beautiful Italian head, the exquisite proportion and rich coloring that
revealed one of those organizations in which every human power is
harmoniously balanced, he sounded the gulf that divided this couple,
brought together by fate. Well content with the promise he inferred from
this dissimilarity between the husband and wife, he made no attempt to
control a liking which ought to have raised a barrier between the fair
Marianna and himself. He was already conscious of feeling a sort of
respectful pity for this man, whose only joy she was, as he understood the
dignified and serene acceptance of ill fortune that was expressed in
Gambara's mild and melancholy gaze.
After expecting to see one of the grotesque figures so often set before us
by German novelists and writers of _libretti_, he beheld a simple,
unpretentious man, whose manners and demeanor were in nothing strange and
did not lack dignity. Without the faintest trace of luxury, his dress was
more decent than might have been expected from his extreme poverty, and his
linen bore witness to the tender care which watched over every detail of
his existence. Andrea looked at Marianna with moistened eyes; and she did
not color, but half smiled, in a way that betrayed, perhaps, some pride at
this speechless homage. The Count, too thoroughly fascinated to miss the
smallest indication of complaisance, fancied that she must love him, since
she understood him so well.
From this moment he set himself to conquer the husband rather than the
wife, turning all his batteries against the poor Gambara, who quite
guilelessly went on eating Signor Giardini's _bocconi_, without thinking of
their flavor.
The Count opened the conversation on some trivial subject, but at the first
words he perceived that this brain, supposed to be infatuated on one point,
was remarkably clear on all others, and saw that it would be far more
important to enter into this very clever man's ideas than to flatter his
conceits.
Public-domain text, read in full here on John Shaqi.
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