The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other StoriesBalzac, Honoré de
General
The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories
Balzac, Honoré de
French fiction -- Translations into English
Christophe Lecamus was very typical of the ardent and devoted sons of the
people. His pale complexion had that warm burnt hue which is seen in some
fair people; his hair was of a coppery yellow; his eyes were bluish-gray,
and sparkled brightly. In them alone was his noble soul visible, for his
clumsy features did not disguise the somewhat triangular shape of a plain
face by lending it the look of dignity which a man of rank can assume, and
his forehead was low, and characteristic only of great energy. His vitality
seemed to be seated no lower down than his chest, which was somewhat
hollow. Sinewy, rather than muscular, Christophe was of tough texture, lean
but wiry. His sharp nose showed homely cunning, and his countenance
revealed intelligence of the kind that acts wisely on one point of a
circle, but has not the power of commanding the whole circumference. His
eyes, set under brows that projected like a penthouse, and faintly outlined
with light down, were surrounded with broad light-blue circles, with a
sheeny white patch at the root of the nose, almost always a sign of great
excitability. Christophe was of the people--the race that fights and allows
itself to be deceived; intelligent enough to understand and to serve an
idea, too noble to take advantage of it, too magnanimous to sell himself.
By the side of old Lecamus' only son, Chaudieu, the ardent minister, lean
from watchfulness, with brown hair, a yellow skin, a contumacious brow, an
eloquent mouth, fiery hazel eyes, and a short rounded chin, symbolized that
Christian zeal which gave the Reformation so many fanatical and earnest
preachers, whose spirit and boldness fired whole communities. This
aide-de-camp of Calvin and Théodore de Bèze contrasted well with the
furrier's son. He represented the living cause of which Christophe was the
effect. You could not have conceived of the active firebrand of the popular
machine under any other aspect.
The boatman, an impetuous creature, tanned by the open air, the dews of
night, and the heats of the day, with firmly set lips, quick motions, a
hungry, tawny eye like a vulture's, and crisp black hair, was the
characteristic adventurer who risks his all in an undertaking as a gambler
stakes his whole fortune on a card. Everything in the man spoke of terrible
passions and a daring that would flinch at nothing. His quivering muscles
were as able to keep silence as to speak. His look was assertive rather
than noble. His nose, upturned but narrow, scented battle. He seemed active
and adroit. In any age you would have known him for a party leader. He
might have been Pizarro, Hernando Cortez, or Morgan the Destroyer if there
had been no Reformation--a doer of violent deeds.
Public-domain text, read in full here on John Shaqi.
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