The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other StoriesBalzac, Honoré de
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The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories
Balzac, Honoré de
French fiction -- Translations into English
"Make this youth chat with the Captain of the Scotch Guard, all the same,"
said the Grand Master, with an emphasis which gave the words a very pointed
meaning. "But Ambroise is at the château; through him we shall know at once
if he really is the son of Lecamus, who was formerly his very good friend.
Ask for Ambroise Paré."
At this moment the Queen came towards the brothers, who hurried to meet her
with marks of respect, in which Catherine never failed to discern deep
irony.
"Gentlemen," said she, "will you condescend to inform me of what is going
on? Is the widow of your late sovereign of less account in your esteem than
Messieurs de Vieilleville, Birague, and Chiverni?"
"Madame," said the Cardinal, with an air of gallantry, "our first duty as
men, before all matters of politics, is not to alarm ladies by false
rumors. This morning, indeed, we have had occasion to confer on State
affairs. You will pardon my brother for having in the first instance given
orders on purely military matters which must be indifferent to you--the
really important points remain to be discussed. If you approve, we will all
attend the _lever_ of the King and Queen; it is close on the hour."
"Why, what is happening, Monsieur le Grand Maître?" asked Catherine,
affecting terror.
"The Reformation, madame, is no longer a mere heresy; it is a party which
is about to take up arms and seize the King."
Catherine, with the Cardinal, the Duke, and the gentlemen, made their way
towards the staircase by the corridor, which was crowded with courtiers who
had not the right of _entrée_, and who ranged themselves against the wall.
Gondi, who had been studying the Princes of Lorraine while Catherine was
conversing with them, said in good Tuscan and in Catherine's ear these two
words, which became bywords, and which express one aspect of that royally
powerful nature:
"_Odiate e aspettate!_" Hate and wait.
Pardaillan, who had delivered to the officer on guard at the gatehouse the
order to admit the messenger from the Queen's furrier, found Christophe
standing outside the portico and staring at the façade built by good King
Louis XII., whereon there was at that time an even more numerous array of
sculptured figures of the coarsest buffoonery--if we may judge by what has
survived. The curious will detect, for instance, a figure of a woman carved
on the capital of one of the columns of the gateway holding up her skirts,
and saucily exhibiting "what Brunel displayed to Marphise" to a burly monk
crouching in the capital of the corresponding column at the other jamb of
this gate, above which once stood a statue of Louis XII. Several of the
windows of this front, ornamented in this grotesque taste, and now
unfortunately destroyed, amused, or seemed to amuse, Christophe, whom the
gunners of the Guard were already pelting with their pleasantries.
Public-domain text, read in full here on John Shaqi.
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