Horace -- Translations into English; Latin poetry -- Translations into English
Our ancient swains, stout and happy with a little, after the grain was
laid up, regaling in a festival season their bodies and even their
minds, patient of hardships through the hope of their ending, with their
slaves and faithful wife, the partners of their labors, atoned with a
hog [the goddess] Earth, with milk Silvanus, with flowers and wine the
genius that reminds us of our short life. Invented by this custom, the
Femminine licentiousness poured forth its rustic taunts in alternate
stanzas; and this liberty, received down through revolving years,
sported pleasingly; till at length the bitter raillery began to be
turned into open rage, and threatening with impunity to stalk through
reputable families. They, who suffered from its bloody tooth smarted
with the pain; the unhurt likewise were concerned for the common
condition: further also, a law and a penalty were enacted, which forbade
that any one should be stigmatized in lampoon. Through fear of the
bastinado, they were reduced to the necessity of changing their manner,
and of praising and delighting.
Captive Greece took captive her fierce conqueror, and introduced her
arts into rude Latium. Thus flowed off the rough Saturnian numbers, and
delicacy expelled the rank venom: but for a long time there remained,
and at this day remain traces of rusticity. For late [the Roman writer]
applied his genius to the Grecian pages; and enjoying rest after the
Punic wars, began to search what useful matter Sophocles, and Thespis,
and Aeschylus afforded: he tried, too, if he could with dignity
translate their works; and succeeded in pleasing himself, being by
nature [of a genius] sublime and strong; for he breathes a spirit tragic
enough, and dares successfully; but fears a blot, and thinks it
disgraceful in his writings.
Comedy is believed to require the least pains, because it fetches its
subjects from common life; but the less indulgence It meets with, the
more labor it requires. See how Plautus supports the character of a
lover under age, how that of a covetous father, how those of a cheating
pimp: how Dossennus exceeds all measure in his voracious parasites; with
how loose a sock he runs over the stage: for he is glad to put the money
in his pocket, after this regardless whether his play stand or fall.
Him, whom glory in her airy car has brought upon the stage, the careless
spectator dispirits, the attentive renders more diligent: so slight, so
small a matter it is, which overturns or raises a mind covetous of
praise! Adieu the ludicrous business [of dramatic writing], if applause
denied brings me back meagre, bestowed [makes me] full of flesh and
spirits.
Public-domain text, read in full here on John Shaqi.
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