The works of John Dryden, now first collected in eighteen volumes. Volume 02Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 02
Dryden, John
English literature
But the author of the "Duke of Lerma" is to be excused for his
declaring against the unity of time; for, if I be not much mistaken,
he is an interested person;--the time of that play taking up so many
years, as the favour of the Duke of Lerma continued; nay, the second
and third act including all the time of his prosperity, which was a
great part of the reign of Philip the Third: For in the beginning of
the second act he was not yet a favourite, and, before the end of
the third, was in disgrace. I say not this with the least design of
limiting the stage too servilely to twenty-four hours, however he be
pleased to tax me with dogmatising on that point, In my dialogue, as I
before hinted, several persons maintained their several opinions: One
of them, indeed, who supported the cause of the French poesy, said how
strict they were in that particular; but he who answered, in behalf of
our nation, was willing to give more latitude to the rule, and cites
the words of Corneille himself, complaining against the severity of
it, and observing, what beauties it banished from the stage, p. 44.
of my Essay. In few words, my own opinion is this, (and I willingly
submit it to my adversary, when he will please impartially to consider
it) that the imaginary time of every play ought to be contrived into
as narrow a compass, as the nature of the plot, the quality of the
persons, and variety of accidents will allow. In comedy, I would
not exceed twenty-four or thirty hours; for the plot, accidents, and
persons, of comedy are small, and may be naturally turned in a little
compass: But in tragedy, the design is weighty, and the persons great;
therefore, there will naturally be required a greater space of time in
which to move them. And this, though Ben Jonson has not told us, yet
it is manifestly his opinion: For you see that to his comedies
he allows generally but twenty-four hours; to his two tragedies,
"Sejanus," and "Catiline," a much larger time, though he draws both
of them into as narrow a compass as he can: For he shews you only the
latter end of Sejanus's favour, and the conspiracy of Catiline already
ripe, and just breaking out into action.
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