I have only to add, that the play is founded on a story in the "Cyrus," which he calls the Queen of Corinth; in whose character, as it has been affirmed to me, he represents that of the famous Christina, queen of Sweden. This is what I thought convenient to write by way of preface to "The Maiden Queen;" in the reading of which I fear you will not meet with that satisfaction, which you have had in seeing it on the stage; the chief parts of it, both serious and comic, being performed to that height of excellence, that nothing but a command, which I could not handsomely disobey, could have given me the courage to have made it public. PROLOGUE. I. He who writ this, not without pains and thought, From French and English theatres has brought The exactest rules, by which a play is wrought. II. The unities of action, place, and time; The scenes unbroken; and a mingled chime Of Jonson's humour, with Corneille's rhyme. III. But while dead colours he with care did lay, He fears his wit, or plot, he did not weigh, Which are the living beauties of a play. IV. Plays are like towns, which, howe'er fortified By engineers, have still some weaker side, By the o'er-seen defendant unespied. V. And with that art you make approaches now; Such skilful fury in assaults you show, That every poet without shame may bow. VI. Ours, therefore, humbly would attend your doom, If, soldier-like, he may have terms to come, With flying colours, and with beat of drum. _The Prologue goes out, and stays while a tune is played, after which he returns again_. SECOND PROLOGUE.