The works of John Dryden, now first collected in eighteen volumes. Volume 05Dryden, John
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The works of John Dryden, now first collected in eighteen volumes. Volume 05
Dryden, John
English literature
2. But, spite of all his pride, a secret shame
Invades his breast at Shakespeare's sacred name:
Awed, when he hears his god-like Romans rage,
He, in a just despair, would quit the stage,
And, to an age less polished, more unskilled,
Does, with disdain, the foremost honours yield.
3. Lest any reader should have anticipated better things of "Sedley's
noble muse," the Lisideius of our author's dialogue on dramatic
poetry, I subjoin a specimen, taken at hazard:
Gape, hell, and to thy dismal bottom take
The lost Antonius; this was our last stake:
Warned by my ruin, let no Roman more,
Set foot on the inhospitable shore.
Cowards and traitors filled this impious land,
Faithless and fearful, without heart or hand,
Some ran to Caesar, like a headlong tide,
The rest their fear made useless on our side.
"This passion, with the death of a dear friend, would go nigh to
make one sad;" yet some of the authors of the day held a very
different doctrine. Shadwell, in his dedication to "A true Widow,"
tells Sedley, "You have in that Mulberry Garden shewn the true wit,
humour, and satire of a comedy; and, in Antony and Cleopatra, the
true spirit of a tragedy; the only one, except two of Jonson's and
one of Shakespeare's, wherein Romans are made to speak and do like
Romans. There are to be found the true characters of Antony and
Cleopatra, as they were; whereas a French author would have made
the Egyptian and Roman both become French under his pen. And even
our English authors are too much given to make history (in these
plays) romantic and impossible; but, in this play, the Romans are
true Romans, and their style is such; and I dare affirm, that there
is not in any play of this age so much of the spirit of the classic
authors, as in your Antony and Cleopatra." I cannot help suspecting
that much of this hyperbolical praise of Sedley was obliquely
designed to mortify Dryden.
TO
THE RIGHT HONOURABLE
THOMAS, EARL OF DANBY,
VISCOUNT LATIMER, AND BARON OSBORNE OF
KIVETON IN YORKSHIRE;
LORD HIGH TREASURER OF ENGLAND,
ONE OF HIS MAJESTY'S MOST HONOURABLE PRIVY
COUNCIL, AND KNIGHT OF THE MOST NOBLE
ORDER OF THE GARTER[1].
MY LORD,
The gratitude of poets is so troublesome a virtue to great men, that
you are often in danger of your own benefits: For you are threatened
with some epistle, and not suffered to do good in quiet, or to
compound for their silence whom you have obliged. Yet, I confess, I
neither am or ought to be surprised at this indulgence; for your
lordship has the same right to favour poetry, which the great and
noble have ever had:
_Carmen amat, quisquis carmine digna gerit._
Public-domain text, read in full here on John Shaqi.
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