The works of John Dryden, now first collected in eighteen volumes. Volume 07Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 07
Dryden, John
English literature
broader word. The "Sicilian Vespers" I have had plotted by me above
these seven years: the story of it I found under borrowed names in
Giraldo Cinthio; but the rape in my tragedy of "Amboyna" was so like
it, that I forbore the writing. But what had this to do with
protestants? For the massacrers and the massacred were all papists.
But it is observable, they say, that "though the massacre could not be
acted, as it was first written against papists, yet when it was turned
upon protestants, it found reception."
Now all is come out; the scandal of the story turns at last upon the
government: that patronizes popish plays, and forbids protestant[37].
Ours is to be a popish play; why? Because it exposes the villainy of
sectaries and rebels. Prove them first to be protestants, and see what
you will get by it when you have done. Your party are certainly the
men whom the play attacks, and so far I will help you; the designs and
actions, represented in the play, are such as you have copied from the
League; for though you have wickedness enough, yet you wanted the wit
to make a new contrivance. But for shame, while you are carrying on
such palpable villainy, do not assume the name of protestants. You
will tell us, you are friends to the government, and the king's best
subjects; but all the while you are aspersing both it and him. Who
shall be judges, whether you are friends or not? The government or
you? Have not all rebels always sung the same song? Was ever thief or
murderer fool enough to plead guilty? For your love and loyalty to the
king, they, who mean him best among you, are no better subjects than
Duke Trinculo; they would be content he should be viceroy, so they may
be viceroys over him[38].
The next accusation is particular to me,--"that I, the said Bayes,
would falsely and feloniously have robbed Nat. Lee of his share in the
representation of OEdipus." Now I am culprit; I writ the first and
third acts of OEdipus, and drew the scenery of the whole play:
whenever I have owned a farther proportion, let my accusers speak:
this was meant mischievously, to set us two at variance. Who is the
old serpent and Satan now? When my friends help my barren fancy, I am
thankful for it: I do not use to receive assistance, and afterwards
ungratefully disown it.
Public-domain text, read in full here on John Shaqi.
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