The works of John Dryden, now first collected in eighteen volumes. Volume 07Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 07
Dryden, John
English literature
Footnotes:
1. There is in Mr Bindley's collection another Epilogue, which appears
to have been originally subjoined to the "Duke of Guise." It is
extremely coarse; and as the author himself suppressed it, the
editor will not do his better judgment the injustice to revive it.
2. The Trimmers, a body small and unpopular, as must always be the
case with those, who in violent times declare for moderate and
temporising measures, were headed by the ingenious and politic
Halifax. He had much of the confidence, at least of the countenance
of Charles, who was divided betwixt tenderness for Monmouth, and
love of ease, on the one hand, and, on the other, desire of
arbitrary power, and something like fear of the duke of York.
Halifax repeatedly prevented each of these parties from subjugating
the other, and his ambidexter services seem to have been rewarded
by the sincere hatred of both. In 1688 was published a vindication
of this party, entitled, "the Character of a Trimmer;" and his
opinion of,--I. The laws of government. II. Protestant Religion.
III. Foreign affairs. By the Hon. Sir William Coventry.
THE
VINDICATION:
OR, THE
PARALLEL
OF THE
FRENCH HOLY LEAGUE,
AND THE
ENGLISH LEAGUE AND COVENANT,
TURNED INTO A SEDITIOUS LIBEL AGAINST THE KING
AND HIS ROYAL HIGHNESS,
BY
THOMAS HUNT,
AND THE AUTHORS OF THE REFLECTIONS UPON THE
PRETENDED PARALLEL IN THE PLAY CALLED
THE DUKE OF GUISE.
_Turno tempus erit magno cum optaverit emptum
Intactum Pallanta: et cum spolia ista, diemque
Oderit.--_
VINDICATION OF THE DUKE OF GUISE.
It was easy to foresee, that a play, which professed to be a
_broadside_ discharged at the whole popular party, would not long
remain uncensured. The satire being derived from a historical parallel
of some delicacy, offered certain facilities of attack to the critics.
It was only stretching the resemblance beyond the bounds to which
Dryden had limited it, and the comparison became odious, if not
dangerous. The whig writers did not neglect this obvious mode of
attack, now rendered more popular by the encroachment lately attempted
by the court upon the freedom of the city, whose magistrates had been
exposed to ridicule in the play.
Public-domain text, read in full here on John Shaqi.
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