The scene of the Duke of Guise's return to Paris, against the king's positive command, was then written. I have the copy of it still by me, almost the same which it now remains, being taken verbatim out of Davila; for where the action is remarkable, and the very words related, the poet is not at liberty to change them much; and if he will be adding any thing for ornament, it ought to be wholly of a piece. This do I take for a sufficient justification of that scene, unless they will make the pretended parallel to be a prophecy, as well as a parallel of accidents, that were twenty years after to come.[1] Neither do I find, that they can suggest the least colour for it in any other part of the tragedy. But now comes the main objection,--why was it stopt then? To which I shall render this just account, with all due respects to those who were the occasion of it. Upon a wandering rumour (which I will divide betwixt malice and mistake) that some great persons were represented, or personated in it, the matter was complained of to my Lord Chamberlain; who, thereupon, appointed the play to be brought to him, and prohibited the acting of it until further order; commanding me, after this, to wait upon his lordship; which I did, and humbly desired him to compare the play with the history, from whence the subject was taken, referring to the first scene of the fourth act, whereupon the exception was grounded, and leaving Davila (the original) with his lordship. This was before midsummer; and about two months after, I received the play back again from his lordship, but without any positive order whether it should be acted or not; neither was Mr Lee, or myself, any way solicitous about it. But this indeed I ever said, that it was intended for the king's service; and his majesty was the best judge, whether it answered that end or no; and that I reckoned it my duty to submit, if his majesty, for any reason whatsoever, should deem it unfit for the stage. In the interim, a strict scrutiny was made, and no parallel of the great person designed, could be made out. But this push failing, there were immediately started some terrible insinuations, that the person of his majesty was represented under that of Henry the Third; which if they could have found out, would have concluded, perchance, not only in the stopping of the play, but in the hanging up of the poets. But so it was, that his majesty's wisdom and justice acquitted both the one, and the other; and when the play itself was almost forgotten, there were orders given for the acting of it.