The works of John Dryden, now first collected in eighteen volumes. Volume 06Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 06
Dryden, John
English literature
Footnotes:
1. John, Lord Haughton, eldest son of the Earl of Clare. succeeded to
his father, was created Marquis of Clare, and died 1711, leaving an
only daughter, who married the eldest son of the famous Robert
Harley, Earl of Oxford.
2. See note on OEdipus, p. 151.
3. Dryden appears to have alluded to the following passage in Strada,
though without a very accurate recollection of its contents: _"Sane
Andreas Naugerius Valerio Martiali acriter infensus, solemne jam
habebat in illum aliquanto petulantius jocari. Etenim natali suo,
accitis ad geniale epulum amicis, postquam prolixe de poeticae
laudibus super mensam disputaverat; ostensurum se aiebat a caena,
quo tandem modo laudari poesim deceret: Mox aferri jubebat
Martialis volumen, (haec erat mensae appendix) atque igni proprior
factus, illustri conflagratione absumendum flammis imponebat:
addebatque eo incendio litare se Musis, Manibusque Virgilij, cujus
imitatorem cultoremque prestare se melius haud posset, quam si
vilia poetarum capita per undas insecutus ac flammas perpetuo
perdidisset. Nec se eo loco tenuit, sed cum Silvas aliquot ab se
conscriptas legisset, audissetque Statianu characteri similes
videri, iratus sibi, quod a Martiale fugiens alio declinasset a
Virgilio, cum primum se recessit domum, in Silvas conjecit ignem."_
_Stradae Prolusiones_, Lib. II. Pro. 5. From this passage, it is
obvious, that it was Martial, not Statius, whom Andreas Navagero
sacrificed to Virgil, although he burned his own verses when they
were accused of a resemblance to the style of the author of the
Thebaid. In the same prolusion, Strada quotes the "blustering"
line, afterwards censured by Dryden; but erroneously reads,
Super imposito moles _gemmata_ colosso.
4. "Bussy D'Ambois," a tragedy, once much applauded, was the favourite
production of George Chapman. If Dryden could have exhausted every
copy of this bombast performance in one holocaust, the public would
have been no great losers, as may be apparent from the following
quotations:
Public-domain text, read in full here on John Shaqi.
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