The works of John Dryden, now first collected in eighteen volumes. Volume 03Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 03
Dryden, John
English drama -- 17th century
I was moved to write this play by many reasons: Amongst others, the
commands of some persons of honour, for whom I have a most particular
respect, were daily sounding in my ears, that it would be of good
example to undertake a poem of this nature. Neither were my own
inclinations wanting to second their desires. I considered that pleasure
was not the only end of poesy; and that even the instructions of
morality were not so wholly the business of a poet, as that the precepts
and examples of piety were to be omitted. For, to leave that employment
altogether to the clergy, were to forget that religion was first taught
in verse, which the laziness, or dulness, of succeeding priesthood,
turned afterwards into prose; and it were also to grant (which I never
shall) that representations of this kind may not as well be conducing to
holiness, as to good manners. Yet far be it from me to compare the use
of dramatick poesy with that of divinity: I only maintain, against the
enemies of the stage, that patterns of piety, decently represented, and
equally removed from the extremes of superstition and profaneness, may
be of excellent use to second the precepts of our religion. By the
harmony of words we elevate the mind to a sense of devotion, as our
solemn musick, which is inarticulate poesy, does in churches; and by the
lively images of piety, adorned by action, through the senses allure the
soul; which while it is charmed in a silent joy of what it sees and
hears, is struck, at the same time, with a secret veneration of things
celestial: and is wound up insensibly into the practice of that which it
admires. Now if, instead of this, we sometimes see on our theatres the
examples of vice rewarded, or, at least, unpunished; yet it ought not to
be an argument against the art, any more than the extravagances and
impieties of the pulpit, in the late times of rebellion, can be against
the office and dignity of the clergy.
But many times it happens, that poets are wrongfully accused; as it is
my own case in this very play; where I am charged by some ignorant or
malicious persons, with no less crimes than profaneness and irreligion.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account