The works of John Dryden, now first collected in eighteen volumes. Volume 13Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 13
Dryden, John
Poetry
I have already declared who are the only persons that are the adequate
object of private satire, and who they are that may properly be exposed
by name for public examples of vices and follies; and therefore I will
trouble your lordship no farther with them. Of the best and finest
manner of satire, I have said enough in the comparison betwixt Juvenal
and Horace: it is that sharp, well-mannered way of laughing a folly
out of countenance, of which your lordship is the best master in this
age. I will proceed to the versification, which is most proper for it,
and add somewhat to what I have said already on that subject. The sort
of verse which is called burlesque, consisting of eight syllables, or
four feet, is that which our excellent Hudibras has chosen. I ought to
have mentioned him before, when I spoke of Donne: but by a slip of an
old man's memory he was forgotten. The worth of his poem is too well
known to need my commendation, and he is above my censure. His satire
is of the Varronian kind, though unmixed with prose. The choice of his
numbers is suitable enough to his design, as he has managed it; but
in any other hand, the shortness of his verse, and the quick returns
of rhyme, had debased the dignity of style. And besides, the double
rhyme, (a necessary companion of burlesque writing,) is not so proper
for manly satire; for it turns earnest too much to jest, and gives us
a boyish kind of pleasure. It tickles aukwardly with a kind of pain,
to the best sort of readers: we are pleased ungratefully, and, if I
may say so, against our liking. We thank him not for giving us that
unseasonable delight, when we know he could have given us a better, and
more solid. He might have left that task to others, who, not being able
to put in thought, can only make us grin with the excrescence of a word
of two or three syllables in the close. It is, indeed, below so great
a master to make use of such a little instrument.[47] But his good
sense is perpetually shining through all he writes; it affords us not
the time of finding faults. We pass through the levity of his rhyme,
and are immediately carried into some admirable useful thought. After
all, he has chosen this kind of verse, and has written the best in it:
and had he taken another, he would always have excelled: as we say of
a court-favourite, that whatsoever his office be, he still makes it
uppermost, and most beneficial to himself.
Public-domain text, read in full here on John Shaqi.
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