I should now speak of the beauty of their rhyme, and the just reason I have to prefer that way of writing in tragedies before ours in blank-verse; but because it is partly received by us, and therefore not altogether peculiar to them, I will say no more of it in relation to their plays. For our own, I doubt not but it will exceedingly beautify them; and I can see but one reason why it should not generally obtain, that is, because our poets write so ill in it. This indeed may prove a more prevailing argument than all others which are used to destroy it, and therefore I am only troubled when great and judicious poets, and those who are acknowledged such, have writ or spoke against it: as for others, they are to be answered by that one sentence of an ancient author:[130] _Sed ut primo ad consequendos eos quos priores ducimus, accendimur, ita ubi aut præteriri, aut æquari eos posse desperavimus, studium cum spe senescit: quod, scilicet, assequi non potest, sequi desinit;--prœteritoque eo in quo eminere non possumus, aliquid in quo nitamur, conquirimus_. Lisideius concluded in this manner; and Neander, after a little pause, thus answered him: I shall grant Lisideius, without much dispute, a great part of what he has urged against us; for I acknowledge, that the French contrive their plots more regularly, and observe the laws of comedy, and decorum of the stage, (to speak generally,) with more exactness than the English. Farther, I deny not but he has taxed us justly in some irregularities of ours, which he has mentioned; yet, after all, I am of opinion, that neither our faults, nor their virtues, are considerable enough to place them above us.