Cibber informs us, that Sir John Vanburgh, who cast the parts, being pleased with the young actor's moderation, in contenting himself with those of the Stuttering Cook, and Mad Englishman, assigned him also the creditable task of speaking the Epilogue, which, as it was so much above the ordinary strain, highly gratified his vanity. Dryden himself, on hearing Cibber recite it, made him the further compliment of trusting him with the Prologue also; an honourable distinction, which drew upon him the jealousy of the other actors, and the indignation of Wilkes in particular. This revival of "The Pilgrim" was also remarkable, as affording Mrs Oldfield, who had been about a year or more a mute on the stage, an opportunity of attracting public attention in the character of Alinda, which suited the want of confidence natural to her inexperience, and in which she afforded that promise of future excellence, which was afterwards so amply fulfilled. FOOTNOTES: [Footnote 62: Mr Malone supposes the play to have been acted on the 25th March, 1700; Dryden died on the 1st of May following. The play was advertised for publication in the London Gazette of 17th June, 1700. The following is the full title:-- "The Pilgrim, a Comedy, as it is acted at the Theatre-royal in Drury-lane, written originally by Mr Fletcher, and now very much altered, with several additions; likewise, a Prologue, Epilogue, Dialogue, and Masque, written by the late great poet, Mr Dryden, just before his death, being the last of his works. Printed for Benjamin Tooke, near the Middle Temple Gate, in Fleet-street. 1700." In the published copy our author is mentioned as dead:--"_Governor_. I hope before you go, sir, you'll share with us an entertainment, the late great poet of our age prepared to celebrate this day." But this, as Mr Malone observes, was probably an addition, after Dryden's death had taken place. Gildon, in his "Comparison between the Stages," seems to say that the play was performed for the benefit of Dryden's _son_; probably, because in his father's extreme illness, or upon his death, his son would naturally draw the profits. On the whole, it seems probable, that Dryden survived the performance of the play; as it is presumable that "The Secular Masque," being intended to solemnise the supposed termination of the century, was brought out as soon as possible in the new year.] PROLOGUE TO THE PILGRIM. REVIVED FOR OUR AUTHOR'S BENEFIT, ANNO 1700.