The sensation produced in London, and indeed throughout the nation, by the first part of "Absalom and Achitophel," was so deep and extended, as never had been before occasioned by a similar performance. Neither was Dryden backward in pursuing the literary victory which he had obtained over the Whigs. He published "The Medal" upon the acquittal of the Earl of Shaftesbury, and the rejoicings with which his party had celebrated that memorable event. He even stooped to inferior game, and avenged himself of Shadwell's repeated attacks upon his literary reputation, his political principles, and his moral character, by the publication of "Mac Flecnoe," one of the most severe satires in the English language. Yet, according to the opinion of the royal party, more still remained to be done. The heads of Shaftesbury's faction had been held up to hatred, or ridicule, in "Absalom and Achitophel;" his own life had been more closely scrutinized, and his failings and crimes exposed more specifically in "The Medal;" but something, they conceived, was wanting, to silence and crush the underling writers and agitators of the party, and Dryden's assistance was again invoked for this purpose, as well as to celebrate some of the king's supporters and favourites, who were necessarily omitted in the original poem. But Dryden, being unwilling again to undertake a task upon which he had repeatedly laboured, deputed Nahum Tate to be his assistant in a second part of "Absalom and Achitophel;" reserving for himself only the execution of certain particular characters, and the general plan and revisal of the poem.