The works of John Dryden, now first collected in eighteen volumes. Volume 09Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 09
Dryden, John
English literature
For this reason, (I mean not of length, but broken
action, tied too severely to the laws of history) I am apt to agree
with those, who rank Lucan rather among historians in verse, than Epic
poets; in whose room, if I am not deceived, Silius Italicus, though a
worse writer, may more justly be admitted. I have chosen to write my
poem in quatrains, or stanzas of four in alternate rhyme, because I
have ever judged them more noble, and of greater dignity, both for the
sound and number, than any other verse in use amongst us; in which I am
sure I have your approbation. The learned languages have certainly a
great advantage of us, in not being tied to the slavery of any rhyme;
and were less constrained in the quantity of every syllable, which
they might vary with spondees or dactyls, besides so many other helps
of grammatical figures, for the lengthening or abbreviation of them,
than the modern are in the close of that one syllable, which often
confines, and more often corrupts, the sense of all the rest. But in
this necessity of our rhymes, I have always found the couplet verse
most easy, (though not so proper for this occasion,) for there the work
is sooner at an end, every two lines concluding the labour of the poet;
but in quatrains he is to carry it farther on, and not only so, but to
bear along in his head the troublesome sense of four lines together.
For, those, who write correctly in this kind, must needs acknowledge,
that the last line of the stanza is to be considered in the composition
of the first. Neither can we give ourselves the liberty of making any
part of a verse for the sake of rhyme, or concluding with a word which
is not current English, or using the variety of female rhymes,[90] all
which our fathers practised; and for the female rhymes, they are still
in use amongst other nations; with the Italian in every line, with
the Spaniard promiscuously, with the French alternately, as those who
have read the Alaric, the Pucelle, or any of their later poems, will
agree with me. And besides this, they write in Alexandrines, or verses
of six feet; such as, amongst us, is the old translation of Homer by
Chapman:[91] all which, by lengthening of their chain, makes the sphere
of their activity the larger.
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