The works of John Dryden, now first collected in eighteen volumes. Volume 10Dryden, John
Religion
The works of John Dryden, now first collected in eighteen volumes. Volume 10
Dryden, John
English literature
It remains to say, that all these prologues and epilogues were,
according to the custom of that time, printed on single leaves, or
broadsides, as they are called, and sold by the hawkers at the door
of the theatres. Some of these, but very few, have been preserved by
Mr Luttrell, in the collection belonging to Mr Bindley. If a set of
them existed, I think it probable they would be found to contain many
variations from those editions, which the more mature reflection of
the author gave to the world in the Miscellanies. But the loss is the
less to be lamented, as, in general, the original editions which I have
seen are not only more inaccurate, but coarser and more licentious,
than those which Dryden finally adopted. In the original prologue
of Circe, which is printed in this edition, for example, the reader
will find, that, in place of the well-known apology for an author's
first production, by an appeal to those of Shakespeare, Fletcher,
and Jonson, his youth is only made the subject of some commonplace
raillery. Indeed, so little value did Dryden himself set upon these
occasional effusions before they were collected, and so little did he
consider them as entitled to live in the recollection of the public,
that, on one occasion at least, but probably upon several, he actually
transferred the same prologue from one new play to another. Thus he
reclaimed, from his adversary Shadwell's play of "The True Widow,"
the prologue which he had furnished, and affixed it to the "Widow
Ranter" of Mrs Behn. Sometimes also he laid under contribution former
publications of his own, which he supposed to be forgotten, in order to
furnish out one of these theatrical prefaces. Thus the satire against
the Dutch furnishes the principal part of the prologue and epilogue to
"Amboyna."
Inaccurate as they seem to have been, the original editions might have
proved useful in arranging the prologues and epilogues according
to their exact dates, which, where they are not attached to any
particular play, can now only be assigned from internal evidence. But
absolute accuracy in this point, though no doubt desirable if it can
be obtained, does not appear to be a point of any serious moment; and,
after having bestowed considerable pains, the Editor will neither
be much ashamed, nor inconsolably sorry, to find, that some of the
prologues and epilogues have been misplaced in the order which he has
adopted.
FOOTNOTES:
Public-domain text, read in full here on John Shaqi.
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