_Sly._ Who, I? I'll tell you a strange thing of myself;
and I can tell you, for one that never studied the art of
memory, 'tis very strange too. 110
_Condell._ What's that, sir?
_Sly._ Why, I'll lay a hundred pound, I'll walk but once
down by the Goldsmiths' Row in Cheap, take notice of
the signs, and tell you them with a breath instantly.
_Lowin._ 'Tis very strange.
_Sly._ They begin as the world did, with Adam and
Eve. There's in all just five and fifty.[341] I do use to
meditate much when I come to plays too. What do
you think might come into a man's head now, seeing all
this company? 120
_Condell._ I know not, sir.
_Sly._ I have an excellent thought. If some fifty of the
Grecians that were crammed in the horse'-belly had
eaten garlic, do you not think the Trojans might have
smelt out their knavery?
_Condell._ Very likely.
_Sly._ By God, I would they[342] had, for I love Hector
horribly.
_Sinklo._ O, but, coz, coz!
"Great[343] Alexander, when he came to the tomb of Achilles,
Spake with a big loud voice, O thou thrice blessèd and happy!" 131
_Sly._ Alexander was an ass to speak so well of a filthy
cullion.[344]
_Lowin._ Good sir, will you leave the stage? I'll help
you to a private room.[345]
_Sly._ Come, coz, let's take some tobacco.[346]--Have you
never a prologue?
_Lowin._ Not any, sir.
_Sly._ Let me see, I will make one extempore.
[_Come[347] to them, and fencing of a congey with arms
and legs, be round with them._
Gentlemen,[348] I could wish for the women's sakes you
had all soft cushions; and, gentlewomen, I could wish
that for the men's sakes you had all more easy standings.
What would they wish more but the play now? and
that they shall have instantly. 144
[_Exeunt._
[326] The Induction was added in ed. 2.
[327] For an account of William Sly and the other actors
introduced in the Induction, see Collier's _Memoirs of the
Principal Actors in the Plays of Shakespeare_.
[328] _The Malcontent_ had been acted at the Blackfriars Theatre,
a private theatre. It was afterwards acted at the Globe, a public
theatre.
Public-domain text, read in full here on John Shaqi.
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