GIOVANNI ALTOFRONTO, _disguised as_ MALEVOLE, _sometime Duke
of Genoa_.
PIETRO JACOMO, _Duke of Genoa_.
MENDOZA, _a minion to the_ Duchess of PIETRO JACOMO.
CELSO, _a friend to_ ALTOFRONTO.
BILIOSO, _an old choleric marshal_.
PREPASSO, _a gentleman-usher_.
FERNEZE, _a young courtier, and enamoured on the Duchess_.
FERRARDO, _a minion to_ DUKE PIETRO JACOMO.
EQUATO, }
GUERRINO, } _two courtiers_.
PASSARELLO, _fool to_ BILIOSO.
AURELIA, _Duchess to_ DUKE PIETRO JACOMO.
MARIA, _Duchess to_ DUKE ALTOFRONTO.
EMILIA, }
BIANCA, } _two ladies attending on_ AURELIA.
MAQUERELLE, _an old panderess_.
THE SCENE--GENOA.
THE MALCONTENT.[349]
ACT I.
SCENE I.
_Palace of the Duke of Genoa._
_The vilest out-of-tune music being heard, enter_ BILIOSO
_and_ PREPASSO.
_Bil._ Why, how now! are ye mad, or drunk, or both,
or what?
_Pre._ Are ye building Babylon there?
_Bil._ Here's a noise in court! you think you are in a
tavern, do you not?
_Pre._ You think you are in a brothel-house, do you
not?--This room is ill-scented.
_Enter One with a perfume._
So, perfume, perfume; some upon me, I pray thee.--
The duke is upon instant entrance: so, make place there!
_Enter_ PIETRO, FERRARDO, EQUATO; CELSO _and_
GUERRINO _before_.
_Pietro._ Where breathes that music? 10
_Bil._ The discord rather than the music is heard from
the malcontent Malevole's chamber.
_Fer._ [_calling_] Malevole!
_Mal._ [_above, out of his chamber_] Yaugh, god-a-man,
what dost thou there? Duke's Ganymede, Juno's jealous
of thy long stockings: shadow of a woman, what wouldst,
weasel? thou lamb o'court, what dost thou bleat for? ah,
you smooth-chinned catamite!
_Pietro._ Come down, thou rugged[350] cur, and snarl here;
I give thy dogged sullenness free liberty: trot about and
bespurtle whom thou pleasest. 21
_Mal._ I'll come among you, you goatish-blooded
toderers,[351] as gum into taffata, to fret, to fret: I'll fall
like a sponge into water, to suck up, to suck up. [_Howls
again._[352]] I'll go to church,[353] and come to you.
[_Exit above._
Public-domain text, read in full here on John Shaqi.
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