[400] "The woman with the horn in her forehead was probably
Margaret Griffith, wife of David Owen, of Llan Gaduain, in
Montgomery. A portrait of her is in existence, prefixed to a
scarce pamphlet, entitled, '_A miraculous and monstrous, but yet
most true and certayne Discourse of a Woman, now to be seen in
London, of the age of threescore yeares or thereabouts, in the
midst of whose forehead there groweth out a crooked Horne of four
ynches long. Imprinted at London, by Thomas Orwin, and are to be
sold by Edward White, dwelling at the little north dore of Paules
Church, at the signe of the Gun_, 1588.'"--_Gilchrist._
[401] _To beg a person for a fool_ was to apply to be made
guardian of a person who had been legally proved to be an idiot.
It was in the king's power to grant the custody of an idiot's
person and the profits of his estate to any subject.
[402] Gallants prided themselves on wearing spurs that jingled.
Middleton, after elaborately describing a young prodigal's
attire, adds:--"Lastly, he walked the chamber with such a
pestilent jingle that his spurs over-squeaked the lawyer"
(_Works_, viii. 71). So Chapman in _Monsieur D'Olive_:--"You may
hear them (the gallants) half a mile ere they come at you--six or
seven make a perfect morice-dance; they need no bells, their
spurs serve their turn."
[403] This is the reading of Dyce's copy of ed. 2. Other copies
read:-- "Faith, I utter small fragments as your knight courtes
your Citty widow _with something of his guilt: some aduancing his
high-colored beard_," &c.
[404] Accomplishments.
[405] "At this time Flushing was in the hands of the English as
part of the security for money advanced by Queen Elizabeth to the
Dutch. The governor and garrison were all Englishmen."--_Reed._
[406] Model in wax or clay.
[407] Talc.--Reed quotes from Giles Fletcher's _Russe
Commonwealth_, 1591, p. 10:--"In the province of Corelia, and
about the river Duyna towards the North-sea, there groweth a soft
rock which they call Slude. This they cut into pieces, and so
tear it into thin _flakes, which naturally it is apt for_, and so
use it for glasse lanthorns and such like. It giveth both inwards
and outwards a clearer light then glasse, and for this respect is
better than either glasse or horne; for that it neither breaketh
like glasse, nor yet will burne like the lanthorne."
ACT II.
SCENE I.
_Chamber in the Duke's Palace._
_Enter_ MENDOZA _with a sconce,[408] to observe_ FERNEZE'S
_entrance, who, whilst the act is playing, enters unbraced, two
Pages before him with lights; is met by_ MAQUERELLE _and conveyed
in; the Pages[409] are sent away_.
Public-domain text, read in full here on John Shaqi.
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