[183] "To float, to swim, as borne along or driven by wind or water."--Dyce's _Shakesp. Glossary_. [184] A large galley. [185] Old eds. "resolv'd." [186] "Poor John" = inferior dried hake. (Ed. 1633 "as Poor John.") [187] Sorrow, pity. [188] Depict. [189] Old eds. "nere." [190] "Sip a kiss"--a translation of the Latin expression "oscula libare." [191] Old eds. "your." EPILOGUS. _And._ Gentlemen, though I remain an armed Epilogue,[192] I stand not as a peremptory challenger of desert, either for him that composed the Comedy, or for us that acted it; but a most submissive suppliant for both. What imperfection you have seen in us, leave with us, and we'll amend it; what hath pleased you, take with you, and cherish it. You shall not be more ready to embrace anything commendable, than we will endeavour to amend all things reprovable. What we are, is by your favour. What we shall be, rests all in your applausive encouragements. [_Exeunt._ [192] It was probably in derision of Marston's "armed Epilogue" that Ben Jonson heralded _The Poetaster_ with an armed Prologue. In _Troilus and Cressida_ we have an armed Prologue:-- "And hither am I come, A Prologue armed--but not in confidence Of author's pen." ANTONIO'S REVENGE. _THE SECOND PART OF THE HISTORY OF ANTONIO AND MELLIDA._ _Antonios Reuenge. The second part. As it hath beene sundry times acted, by the children of Paules. Written by I. M. London. Printed for Thomas Fisher, and are to be soulde in Saint Dunstans Church-yarde._ 1602. 4to. STORY OF THE PLAY.