[223] Old eds. "flow."
[224] Not marked in ed. 1602.
[225] Reproach, upbraid.
[226] "Luxurious twines"--lustful embraces.
[227] Old eds. "maine."
[228] So ed. 1602.--Ed. 1633, "swounded."
[229] The metrical harshness might be removed by reading "A
father dead, a wife dishonour'd."
[230] Affections, feelings.
[231] Old eds. "and let's sit."
[232] Saucy fellow.
[233] "'_Grumean de sang_, a clot or _clutter_ of congealed
blood,' Cotgrave. _Cluttered_ blood, 'Holinshed, _Hist. Engl._ p.
74.'"--_Halliwell._
[234] There seems to be an allusion to old Hieronymo's frantic
behaviour in _The Spanish Tragedy_.
[235] Well-balanced.
[236] A Stoic sentiment. Seneca writes:--"Est aliquid quo sapiens
antecedat deum: ille beneficio naturæ non timet, suo sapiens."
(_Ep. Mor._, Lib. vi, Ep. 1.) But see particularly the quotation
from Seneca on p. 133.
ACT II.
SCENE I.
_A dumb show._
_The cornets sound a senet._
_Enter two mourners with torches, two with streamers_; CASTILIO
_and_ FOROBOSCO, _with torches; a Herald bearing_ ANDRUGIO'S _helm
and sword; the coffin_; MARIA _supported by_ LUCIO _and_ ALBERTO;
_Antonio_, _by himself_; PIERO _and_ STROTZO, _talking_; GALEATZO
_and_ MATZAGENTE, BALURDO _and_ PANDULFO: _the coffin set down;
helm, sword, and streamers hung up, placed by the Herald, whilst_
ANTONIO _and Maria wet their handkerchers with their tears, kiss
them, and lay them on the hearse, kneeling: all go out but_ PIERO.
_Cornets cease, and he speaks._
_Pier._ Rot there, thou cerecloth that enfolds the flesh
Of my loath'd foe; moulder to crumbling dust;
Oblivion choke the passage of thy fame!
Trophies of honour'd birth drop quickly down:
Let nought of him, but what was vicious, live.
Though thou art dead, think not my hate is dead:
I have but newly twone my arm in the curl'd locks
Of snaky vengeance. Pale, beetle-brow'd hate
But newly bustles up. Sweet wrong, I clap thy thoughts!
O let me hug thy[237] bosom, rub thy[237] breast, 10
In hope of what may hap. Andrugio rots,
Antonio lives: umh: how long? ha, ha! how long?
Antonio pack'd hence, I'll his mother wed,
Then clear my daughter of supposèd lust,
Wed her to Florence heir. O excellent!
Venice, Genoa, Florence at my beck,
At Piero's nod.--Balurdo, O ho![238]--
O 'twill be rare, all unsuspected done.
I have been nursed in blood, and still have suck'd
The steam of reeking gore.--Balurdo, ho! 20
_Enter_ BALURDO _with a beard, half off, half on_.
_Bal._ When my beard is on, most noble prince, when
my beard is on.
_Pier._ Why, what dost thou with a beard?
Public-domain text, read in full here on John Shaqi.
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