English drama -- 17th century; English poetry -- Early modern, 1500-1700
_Isa._ Better late than never, my good lord; you think
You use square dealing, Medina's mighty duke,
Tyrant of France, sent hither by the devil.
[_She ascends the scaffold._
_Med._ The fitter to meet you.
_Car._ Peace! Good my lord, in death do not provoke her. 130
_Isa._ Servant,
Low as my destiny I kneel to thee,
[_To_ SAGO.
Honouring in death thy manly loyalty;
And what so e'er become of my poor soul,
The joys of both worlds evermore be thine.
Commend me to the noble Count Gniaca,
That should have shared thy valour and my hatred:
Tell him I pray his pardon, and--
Medina, art [thou] yet inspired from heaven?
Show thy Creator's image: be like Him, 140
Father of mercy.
_Med._ Head's-man, do thine office.
_Isa._ Now God lay all thy sins upon thy head,
And sink thee with them to infernal darkness,
Thou teacher of the furies' cruelty!
_Car._ O madam, teach yourself a better prayer;
This is your latest hour.
_Isa._ He is mine enemy, his sight torments me;
I shall not die in quiet.
_Med._ I'll be gone: off with her head there!
[_Exit._
_Isa._ Takest thou delight to torture misery? 150
Such mercy find thou in the day of doom.
_Soul._ My lord, here is a holy friar desires
To have some conference with the prisoners.
_Enter_ ROBERTO, _Count of Cyprus, in friar's weeds._
_Rob._ It is in private, what I have to say,
With favour of your fatherhood.
_Car._ Friar, in God's name, welcome.
[ROBERTO _ascends to_ ISABELLA.
_Rob._ Lady, it seems your eye is still the same--
Forgetful of what most it should behold.
Do not you know me, then?
_Isa._ Holy sir,
So far you are gone from my memory, 160
I must take truce with time ere I can know you.
Public-domain text, read in full here on John Shaqi.
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