English drama -- 17th century; English poetry -- Early modern, 1500-1700
Now, grim Reproof, swell in my rough-hued rhyme,
That thou mayst vex the guilty of our time.
Yon is a youth whom how can I o'er-slip,
Since he so jump doth in my meshes hit?
He hath been longer in preparing him
Than Terence wench; and now behold he's seen.
Now, after two years' fast and earnest prayer
The fashion change not (lest he should despair
Of ever hoarding up more fair gay clothes),
Behold at length in London street he shows. 10
His ruff did eat more time in neatest setting
Than Woodstock's[383] work in painful perfecting;
It hath more doubles far than Ajax' shield
When he 'gainst Troy did furious battle wield.
Nay, he doth wear an emblem 'bout his neck;
For under that fair ruff so sprucely set,
Appears a fall, a falling-band forsooth.
O dapper, rare, complete, sweet nitty[384] youth!
Jesu Maria! How his clothes appear
Cross'd and recross'd with lace, sure for some fear 20
Lest that some spirit with a tippet mace[385]
Should with a ghastly show affright his face.
His hat, himself, small crown and huge great brim,
Fair outward show, and little wit within.
And all the band with feathers he doth fill,
Which is a sign of a fantastic still.
Why, so[386] he is, his clothes do sympathise
And with his inward spirit humorise,
As sure as (some do tell me) evermore
A goat doth stand before a brothel door. 30
His clothes perfumed, his fusty mouth is aired,
His chin new swept, his very cheeks are glaired.[387]
But ho! what Ganymede is that doth grace
The gallant's heels? One who for two days' space
Is closely hired. Now who dares not call
This Æsop's crow--fond, mad, fantastical?
An open ass, that is not yet so wise
As his derided fondness to disguise.
Why, thou art Bedlam mad, stark lunatic,
And glori'st to be counted a fantastic; 40
Thou neither art, nor yet will seem to be,
Heir to some virtuous praisèd quality.
O frantic man! that thinks all villany
The complete honours of nobility!
When some damn'd vice, some strange misshapen suit,
Make youths esteem themselves in high repute.
O age! in which our gallants boast to be
Slaves unto riot and rude luxury!
Nay, when they blush, and think an honest act
Doth their supposèd virtues maculate! 50
Bedlam, Frenzy, Madness, Lunacy,
I challenge all your moody empery
Once to produce a more distracted man
Than is inamorato Lucian.
For when my ears received a fearful sound
That he was sick, I went, and there I found
Him laid of love, and newly brought to bed
Of monstrous folly and a frantic head.
His chamber hang'd about with elegies,
With sad complaints of his love's miseries; 60
His windows strew'd with sonnets, and the glass
Drawn full of love-knots. I approach'd the ass,
And straight he weeps, and sighs some sonnet out
Public-domain text, read in full here on John Shaqi.
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